The gaze strains itself to see the divine, to see it by taking it up into the field of the gazeable. The more powerfully the aim is deployed, the longer it sustains itself, the richer, more extensive and more sumptuous will appear the idol on which it will stop its gaze. ... In this stop, the gaze ceases to overshoot and transpierce itself, hence it ceases to transpierce visible things, in order to pause in the splendor of one of them.