I was overjoyed when I was taken to a show of the American Abstract Artists Group in '37. They were all alive and they were American! My escort further interested me when he told me the two best abstract artists in America were not in the show - Arshile Gorky and Willem de Kooning, whom I met a couple of months later - when I began to study with him [with Willem de Kooning]. When Miss Nochlin says, 'What is important is that women face up to the reality of their history,' well, the point is, artists are always choosing their history from day to day and their history follows them as much as it precedes them. Were American artists 'facing up to the reality of their history' when they turned to the School of Paris or to German Expressionism or Dada or Surrealism or de Stijl or the Bauhaus instead of to Copley, Peale, Eakins, Blake or Ryder; was Picasso facing up to the reality of his history when he was snooping around African art for inspiration?
Elaine de Kooning
Related topics
abstract
african
american
art
begin
best
choosing
couple
day
escort
face
facing
german
group
women
history
inspiration
later
met
miss
paris
point
reality
ryder
school
show
study
take
tell
well
dada
expressionism
surrealism
gorky
america
copley
bauhaus
blake
months
picasso
snooping
Related quotes
Shakespeare, no mere child of nature; no automaton of genius; no passive vehicle of inspiration possessed by the spirit, not possessing it; first studied patiently, meditated deeply, understood minutely, till knowledge became habitual and intuitive, wedded itself to his habitual feelings, and at length gave birth to that stupendous power by which he stands alone, with no equal or second in his own class; to that power which seated him on one of the two glorysmitten summits of the poetic mountain, with Milton аs his compeer, not rival. While the former darts himself forth, and passes into all the forms of human character and passion, the one Proteus of the fire and the flood; the other attracts all forms and things to himself, into the unity of his own Ideal. All things and modes of action shape themselves anew in the being of Milton; while Shakspeare becomes all things, yet for ever remaining himself.
Samuel Taylor Coleridge
Numbers were a mystery to me. I was so far behind. It was only in Nairobi, at age ten, that I figured out anything at all about the way time is calculated: minutes, hours, years. In Saudi Arabia the calendar had been Islamic, based on lunar months; Ethiopia maintained an ancient solar calendar. The year was written 1399 in Saudi Arabia, 1972 in Ethiopia, and 1980 in Kenya and everywhere else. In Ethiopia we even had a different clock: sunrise was called one o'clock and noon was called six. (Even within Kenya, people used two systems for telling time, the British and the Swahili.) The months, the days--everything was conceived differently. Only in Juja Road Primary school did I begin to figure out what people meant when they referred to precise dates and times. Grandma never learned to tell time at all. All her life, noon was when shadows were short, and your age was measured by rainy seasons. She got by perfectly well with her system.
Ayaan Hirsi Ali
It's difficult for me to know where to start with rugby. I come from a fanatically rugby-conscious Welsh miner's family, know so much about it, have read so much about it, have heard with delight so many massive lies and stupendous exaggerations about it and have contributed my own fair share, and five of my six brothers played it, one with some distinction... it's difficu1t for me to know where to start so I'll begin with the end. The last shall be first, as it is said, so I'll tell you about the last match I ever played in...I had played the game representatively from the age of ten until those who employed me in my profession, which is that of actor, insisted that I was a bad insurance risk against certain dread teams in dead-end valleys who would have little respect, no respect, or outright disrespect for what I was pleased to call my face. What if I were unfortunate enough to be on the deck in the middle of a loose maul...they murmured in dollar accents?
Richard Burton
But we must learn it sooner or later. There surely comes a time when the mind perceives that this world is the work of God also and not of devils, and that in the order of nature we may behold the ways of the Eternal; in fact, that God is here and now in the humblest and most familiar fact, as sleepless and active as ever he was in old Judea. This perception has come and is coming to more minds to-day than ever before--this perception of the modernness of God, of the modernness of inspiration, of the modernness of religion; that there was never any more revelation than there is now, never any more conversing of God with man, never any more Garden of Eden, or fall of Adam, or thunder of Sinai, or ministering angels, than there is now; in fact, that these things are not historical events, but inward experiences and perceptions perpetually renewed or typified in the growth of the race. This is the modern gospel; this is the one vital and formative religious thought of modern times.
John Burroughs