His life from the very beginning is a story of temptation; it is not only one particular period in his life, the forty days, that is the story of temptation – no his whole life is a story of temptation (just as it is also of suffering). Every moment of his life he is tempted – that is, he has this possibility in his power, to take his calling, his task, in vain.
Søren KierkegaardRelated topics
beginning calling forty life moment particular period possibility power story suffering take task temptation vain daysRelated quotes
You wish, or rather, have decided, to remove a splinter from someone? Very well, but do not go after it with a stick instead of a lancet for you will only drive it deeper. Rough speech and harsh gestures are the stick, while even-tempered instruction and patient reprimand are the lancet. 'Reprove, rebuke, exhort,' says the Apostle (II Tim. 4:2), not 'batter'.
John Climacus
Some days, 24 hours is too much to stay put in, so I take the day hour by hour, moment by moment. I break the task, the challenge, the fear into small, bite-size pieces. I can handle a piece of fear, depression, anger, pain, sadness, loneliness, illness. I actually put my hands up to my face, one next to each eye, like blinders on a horse.
Regina Brett
But petitional prayer is only one department of prayer; and if we take the word in the wider sense as meaning every kind of inward communion or conversation with the power recognized as divine, we can easily see that scientific criticism leaves it untouched. Prayer in this wide sense is the very soul and essence of religion.
William James
The cross is a very powerful symbol and it symbolizes suffering, but it also is connected to a person who was loving and sharing and his message was about unconditional love. I tried to take a powerful image and use it to draw attention to a situation that needs attention. For me, we all need to be Jesus in our time. Jesus' message was to love your neighbor as yourself and these are people in need.
Madonna (entertainer)
With this recitation of paraphernalia and detritus, O'Brien manages to encapsulate the experience of an army and of a particular war, of a mined and booby-trapped landscape, of cold nights and hot days, of soaking monsoons and rice paddies, and of the possibility of being shot, like Ted Lavender, suddenly and out of nowhere: not only in the middle of a sentence but in the midst of a subordinate clause.
Francine Prose
