What he dreads is that, during a lull in the conversation, someone will come up with what he calls The Question-"What led you, Mrs. Costello, to become a vegetarian?”-and that she will then get on her high horse and produce what he and Norma call The Plutarch Response. ... The response in question comes from Plutarch's moral essays. His mother has it by heart; he can reproduce it only imperfectly. "You ask me why I refuse to eat flesh. I, for my part, am astonished that you can put in your mouth the corpse of a dead animal, am astonished that you do not find it nasty to chew hacked flesh and swallow the juices of death-wounds.” Plutarch is a real conversation-stopper: it is the word juices that does it. Producing Plutarch is like throwing down a gauntlet; after that, there is no knowing what will happen. (J. M. Coetzee)

What he dreads is that, during a lull in the conversation, someone will come up with what he calls The Question-"What led you, Mrs. Costello, to become a vegetarian?”-and that she will then get on her high horse and produce what he and Norma call The Plutarch Response. ... The response in question comes from Plutarch's moral essays. His mother has it by heart; he can reproduce it only imperfectly. "You ask me why I refuse to eat flesh. I, for my part, am astonished that you can put in your mouth the corpse of a dead animal, am astonished that you do not find it nasty to chew hacked flesh and swallow the juices of death-wounds.” Plutarch is a real conversation-stopper: it is the word juices that does it. Producing Plutarch is like throwing down a gauntlet; after that, there is no knowing what will happen.

J. M. Coetzee

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animal ask call chew comes conversation corpse dead eat find flesh gauntlet heart high horse knowing led lull moral mother mouth nasty norma produce question real refuse response swallow throwing vegetarian word someone mrs conversation-stopper dreads plutarch

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