The classic war movies of the post-Vietnam era have generally taken on grand, philosophical themes: the meaninglessness of war, the grinding down of man by the machine - the machine being war itself, represented by someone like Gunnery Sergeant Hartman in 'Full Metal Jacket,' the sadistic marine who turns his boys into instruments of death.
Hanna RosinRelated topics
classic death era full grand grinding gunnery jacket machine man marine metal sergeant take war someone meaninglessness boys moviesRelated quotes
I wonder what your idea of heaven would be - A beautiful vacuum filled with wealthy monogamists. All powerful and members of the best families all drinking themselves to death. And hell would probably an ugly vacuum full of poor polygamists unable to obtain booze or with chronic stomach disorders that they called secret sorrows.
Ernest Hemingway
Consider the impasse of a one-God universe. He is all-knowing and all-powerful. He can't go anywhere, since He is already everywhere. He can't do anything, since the act of doing presupposes opposition. His universe is irrevocably thermodynamic, having no friction by definition. So, He has to create friction: War, Fear, Sickness, Death, to keep his dying show on the road.
William S. Burroughs
India is calling. Blood is calling to blood. Get up, we have no time to lose. Take up your arms! we shall carve our way through the enemy's ranks, or if God wills, we shall die a martyr's death. And in our last sleep we shall kiss the road that will bring our Army to Delhi. The road to Delhi is the road to Freedom. Chalo Delhi (March to Delhi).
Subhas Chandra Bose
It seems to me obvious that infants and many animals that do not in any ordinary sense have a language or perform speech acts nonetheless have Intentional states. Only someone in the grip of a philosophical theory would deny that small babies can literally be said to want milk and that dogs want to be let out or believe that their master is at the door.
John Searle
A person in a rented apartment must be able to lean out of his window and scrape off the masonry within arm's reach. And he must be allowed to take a long brush and paint everything outside within arm's reach. So that it will be visible from afar to everyone in the street that someone lives there who is different from the imprisoned, enslaved, standardised man who lives next door.
Friedensreich Hundertwasser
