Zola, who has so faithfully described the impulse to commit murder, did not himself commit a murder, because there were so many other characters in him. The actual murderer is in the grasp of his own disposition: the author describing the murder is swayed by a whole kingdom of impulses. Zola would know the desire for murder much better than the actual murderer would know it, he would recognise it in himself, if it really came to the surface in him, and he would be prepared for it. In such ways the criminal instincts in great men are intellectualised and turned to artistic purposes as in the case of Zola, or to philosophic purposes as with Kant, but not to actual crime.
Otto WeiningerRelated topics
actual author came case commit crime criminal desire disposition grasp great impulse men kingdom murder murderer surface kant waysRelated quotes
Society is not the criminal but the force which keeps crime in check. When social controls weaken, man's innate cruelty bursts forth. The rapist is created not by bad social conditioning influences but by a failure of social conditioning. Feminists, seeking to drive power relations out of sex, have set themselves against nature. In western culture, there are no nonexploitative relationships. Everyone has killed in order to live. Nature's universal law of creation from destruction operates in mind as in matter. As Freud, Nietzsche's heir, asserts, identity is conflict. Each generation drives its plow over the bones of the dead.
Camille Paglia
I rejoiced so greatly when I heard of your answer in the case of some who seemed to be filled with extravagant ambition
for the office of legate, and to hope for it with impudence, even more than I can say. And not only I but all who love your name rejoiced with exceeding great joy. Moreover, when I read your letter written in the cause of the Church of Rodez,
then was my mouth filled with laughter and my tongue with joy. Such things as these are worthy of your Apostleship, they honour the highest See, they are just what is becoming to the Bishop of the world. Whence, also, I bow my knees to the Author of your unique Primacy...
In truth, you have been raised to this chair for the fall and rising again of many.
Bernard of Clairvaux
This character out of my fantasy, whose author I became in the days of my partly literary, partly solitary or.. inward youth, has lived, apparently, since that faded time with a certain life - which his reticence, more than what he said, has persuaded a few readers to attribute to him.
Teste was conceived - in a room where Auguste Comte spent his early years - at a period when I was drunk on my own will and subject to strange excesses of consciousness of my self.
I was suffering from the acute ailment called precision. I tended toward the extreme of the reckless desire to understand, and I searched in myself for the critical points in my powers of attention.
Paul Valéry
To maintain this state of things we make all our achievements in science and technology serve organised mass murder; we educate our youth into uniformed killers, deliver the people to the soulless tyranny of a bureaucracy, put men from the cradle to the grave under police supervision, erect everywhere jails and penitentiaries, and fill every land with whole armies of informers and spies. Should not such "order," from whose infected womb are born eternally brutal power, injustice, lies, crime and moral rottennesslike poisonous germs of destructive plagues gradually convince even conservative minds that it is order too dearly bought?
Rudolf Rocker
Great works of literature have frequently been produced by authors writing under assumed names. Despite readers' curiosity and the public's interest in identifying the creator of a work of art, an author generally is free to decide whether or not to disclose her true identity. The decision in favor of anonymity may be motivated by fear of economic or official retaliation, by concern about social ostracism, or merely by a desire to preserve as much of one's privacy as possible. Whatever the motivation may be, at least in the field of literary endeavor, the interest in having anonymous works enter the marketplace of ideas unquestionably outweighs any public interest in requiring disclosure as a condition of entry.
John Paul Stevens
