The beat must not be like a tyrannical hammer, impeding or urging on, but must be to the music what the pulse-beat is to the life of man. There is no slow tempo in which passages do not occur that demand a quicker motion, so as to obviate the impression of dragging. Conversely there is no presto that does not need a quiet delivery by many places, so as not to throw away the chance of expressiveness by hurrying... Neither the quickening nor the slowing of the tempo should ever give the impression of the spasmodic or the violent. The changes, to have a musical-poetic significance, must come in an orderly way in periods and phrases, conditioned by the varying warmth of the expression. We have in music no signs for all this. They exist only in the sentient soul. If they are not there, then there is no help to be had from the metronome – which obviates only the grosser errors – nor from these extremely imperfect precepts of mine.
Carl Maria von WeberRelated topics
beat chance delivery demand dragging expression hammer help hurrying imperfect impression life man metronome mine motion music need nor obviate orderly presto quickening quiet sentient should significance slow slowing soul spasmodic tempo throw urging varying violent warmth way expressiveness grosserRelated quotes
I had never heard a Mass like that one.. the church vault was split open, the walls were rasped and peeling, the altars were wrecked or had been thrown out; worst of all, that great dark hole at the end, where the high altar had been, the paving hidden beneath the powder and rubble, no pews to sit on, everyone standing or kneeling before a wooden table with a crucifix placed on it, a sunbeam shining sharply down through a gap in the vault and a cloud of flies dancing in the harsh light that illuminated the whole Church and made it seem as though we were hearing Mass in the middle of the street. [-] I had never heard a Mass like that one [-] The bread and the Wine appeared as though they were fresh: the Host appeared to be beating and, in the sunlight, when the Wine was poured into the chalice, it appeared to be blood that was flowing [-] and then the thought, the sentiment occurred to me that Mass should always be heard in this way, in fear and trembling.
Joan Maragall
The long blue days, for his head, for his side, and the little paths for his feet, and all the brightness to touch and gather. Through the grass the little mosspaths, bony with old roots, and the trees sticking up, and the flowers sticking up, and the fruit hanging down, and the white exhausted butterflies, and the birds never the same darting all day long into hiding. And all the sounds, meaning nothing. Then at night rest in the quiet house, there are no roads, no streets any more, you lie down by a window opening on refuge, the little sounds come that demand nothing, ordain nothing, explain nothing, propound nothing, and the short necessary night is soon ended, and the sky blue again all over the secret places where nobody ever comes, the secret places never the same, but always simple and indifferent, always mere places, sites of a stirring beyond coming and going, of a being so light and free that it is as the being of nothing.
Samuel Beckett
The past alone is truly real: the present is but a painful, struggling birth into the immutable being of what is no longer. Only the dead exist fully. The lives of the living are fragmentary, doubtful, and subject to change; but the lives of the dead are complete, free from the sway of Time, the all but omnipotent lord of the world. Their failures and successes, their hopes and fears, their joys and pains, have become eternal-our efforts cannot now abate one jot of them. Sorrows long buried in the grave, tragedies of which only a fading memory remains, loves immortalized by Death's hallowing touch these have a power, a magic, an untroubled calm, to which no present can attain. ...On the banks of the river of Time, the sad procession of human generations is marching slowly to the grave; in the quiet country of the Past, the march is ended, the tired wanderers rest, and the weeping is hushed.
Bertrand Russell
Take a moment to remember the times on your own spiritual quest when you felt most enthusiastic. We want to pinpoint the times in which we felt more God conscious and devotional than ever before. Conversely, look at the times when you felt unenthused and do a similar analysis. These questions might help stimulate your thought process: Are you enthusiastic about your existence as a servant of the Lord? Are you enthusiastic to follow the basic principles that will help elevate your consciousness? Are you enthusiastic in the association of saintly people? Are you enthusiastic about what you can experience in your purest state? We must examine our spiritual life on a daily, weekly, and even yearly basis. This examination will help us recognize how various activities and thoughts affect us. We should note how the quality of our experiences varies according to our absorption in the process of bhakti.
Bhakti Tirtha Swami
But I have seen the unknown dead, those little men of the Republic. It was they who woke me up. If a stranger, an enemy, becomes a thing like that when he dies, if one stops short and is afraid to walk over him, it means that even beaten our enemy is someone, that after having shed his blood, one must placate it, give this blood a voice, justify the man who shed it. Looking at certain dead is humiliating. One has the impression that the same fate that threw these bodies to the ground holds us nailed to the spot to see them, to fill our eyes with the sight. It's not fear, not our usual cowardice. One feels humiliated because one understands–touching it with one's eyes–that we might be in their place ourselves: there would be no difference, and if we live we owe it to this dirtied corpse. That is why every war is a civil war; every fallen man resembles one who remains and calls him to account.
Cesare Pavese
