So, too, in the Vedanta the whole world is seen as the lila and the maya of the Self, the first word meaning "play" and the second having the complex sense of illusion (from the Latin ludere, to play), magic, creative power, art, and measuring-as when one dances or draws a design to a certain measure. From this point of view the universe in general and playing in particular are, in a special sense, "meaningless": that is, they do not-like words and symbols-signify or point to something beyond themselves, just as a Mozart sonata conveys no moral or social message and does not try to suggest the natural sounds of wind, thunder, or birdsong.
Alan WattsRelated topics
art beyond certain complex creative design general having illusion latin magic maya meaning measure message moral natural particular playing play point power second seen self sense social something sonata special thunder try universe vedanta view wind word world words birdsong mozart lilaRelated quotes
There should be open competition for all men; and the most able should not be prevented by laws or customs from succeeding best and rearing the largest number of offspring. Important as the struggle for existence has been and even still is, yet as far as the highest part of man's nature is concerned there are other agencies more important. For the moral qualities are advanced, either directly or indirectly, much more through the effects of habit, the reasoning powers, instruction, religion, &c., than through natural selection; though to this latter agency the social instincts, which afforded the basis for the development of the moral sense, may be safely attributed.
Charles Darwin
When we speak of general war, we don't mean real progress on the road of freedom, the real, moral, and social advancement of man, achieved by force. This may be the intention, but how rarely is it the result of general war! We mean this:-That the face of nature is stained with human gore-we mean that taxation is increased and industry diminished-we know that it means that burdens unreasonable and untold are entailed on late posterity-we know that it means that demoralization is let loose, that families are broken up, that lusts become unbridled in every country to which that war is extended.
William Ewart Gladstone
Earlier contentions that the right hemisphere is not even conscious largely gave way by the mid seventies to an intermediate position conceding that the mute hemisphere may be conscious at some lower elemental levels, but claiming that it lacks the higher, reflective, self-conscious kind of inner awareness that is special to the human mind and is needed, so it is said, to qualify the right conscious system as a "self' or "person". Self awareness in particular is reported, on the basis of mirror tests mainly, to be a predominantly human attribute and is rated by developmental as well as by evolutionary standards to be a highly advanced phase of conscious awareness.
Roger Wolcott Sperry
First they junked the concept of "justice.” Examined semantically "justice” has no referent-there is no observable phenomenon in the space-time-matter continuum to which one can point, and say, "This is justice.” Science can deal only with that which can be observed and measured. Justice is not such a matter; therefore it can never have the same meaning to one as to another; any "noises” said about it will only add to confusion.
But damage, physical or economic, can be pointed to and measured. Citizens were forbidden by the Covenant to damage another. Any act not leading to damage, physical or economic, to some particular person, they declared to be lawful.
Robert A. Heinlein
French music is really very sensory, and appeals to sense of smell, taste, touch. It can be languorous, and almost erotic. Russian music is very subjective, sometimes whiny, breast-beating 'Look how I suffer, look how I suffer!'. German music is, to use your word, metaphysical. It really asks those existential questions of 'How do I relate to the Universe?', 'Is there a heaven?', 'How am I like a brook, or a leaf on a tree?'. I know this was the music that most challenged Schnabel. He said Mozart was the most inaccessible of the great masters, because with the fewest number of notes, he accesses the deepest levels of human awareness and experience.
Leon Fleisher
