Mama's beautiful?” I asked. "Are you blind?” said my brother. "Don't you see how men and women are always looking at our mother everywhere she goes. Our mother is more beautiful than any movie star you'll ever see, and yet this isn't why papa chose her. He chose her, he's told us a thousand times, because when he first saw her, she was in line to go into the dance hall over in Carlos Malo with her brother and sister. And when a fight broke out, she didn't get excited and enjoy it like her sister and the other women. No, she and her brother moved away, wanting no part of it, and so, by seeing this, papa knew that she was a woman of high intelligence, respect, and responsibility; a person that he could trust with his life. And trust, remember, is the foundation of all love, papa says.
Victor Villaseñor
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It is truly a lordly spectacle how this great soul takes in all kinds of men and objects, a Falstaff, an Othello, a Juliet, a Coriolanus; sets them all forth to us in their round completeness; loving, just, the equal brother of all. Novum Organum, and all the intellect you will find in Bacon, is of a quite secondary order; earthy, material, poor in comparison with this. Among modern men, one finds, in strictness, almost nothing of the same rank. Goethe alone, since the days of Shakspeare, reminds me of it. Of him too you say that he saw the object; you may say what he himself says of Shakspeare: 'His characters are like watches with dial-plates of transparent crystal; they show you the hour like others, and the inward mechanism also is all visible.
Thomas Carlyle
Let us imagine that the aboriginal-original human specimen was one of two brother apes, A and B; they were alike in every respect; both were animal space-binders; but something strange happened to B; he became the first time-binder, a human. ... He had thus a new faculty, he belonged to a new dimension; but, of course, he did not realize it; and because he had this new capacity he was able to analyze his brother "A"; he observed "A is my brother; he is an animal; but he is my brother; therefore, I AM AN ANIMAL." This fatal first conclusion, reached by false analogy, by neglecting a fact, has been the chief source of human woe for half a million years and it still survives. ... He [then] said to himself, "If I am an animal there is also in me something higher, a spark of some thing supernatural."
Alfred Korzybski
The tomato hit Brother Leon on his left cheek, a ripe tomato that exploded in juicy fury, splattering his shirt and his hair and smearing his face with what looked like blood. Nobody said anything. Nobody moved. Nobody cheered or booed. Everybody sat there in a profound silence as Brother Leon, mouth agape, wiped the tomato from his face, still silent as he stalked from the stage, leaving an assembly hall full of students who sat stunned, silent for a few minutes, then quietly filed out of the hall. Broher Leon never learned the culprit's name. He, in fact, never made an effort to do so. Nobody else ever mentioned the incident. But Henry Malloran was elected president of the senior class at the next day's election and nobody ran against him.
Robert Cormier