I use emacs, which might be thought of as a thermonuclear word processor. It was created by Richard Stallman; enough said. It is written in Lisp, which is the only computer language that is beautiful. It is colossal, and yet it only edits straight ASCII text files, which is to say, no fonts, no boldface, no underlining. In other words, the engineer-hours that, in the case of Microsoft Word, were devoted to features like mail merge, and the ability to embed feature-length motion pictures in corporate memoranda, were, in the case of emacs, focused with maniacal intensity on the deceptively simple-seeming problem of editing text.
Neal StephensonRelated topics
ability ascii beautiful case computer corporate editing embed enough intensity language lisp mail might memorandum merge motion problem say stallman straight text thought use word write yet words boldface processor emacs pictures microsoft thermonuclear underliningRelated quotes
The thing that is always so surprising about plays written in another century is how remarkably elastic they are. When you listen to the way in which Shakespeare attacks relationships, for example, even though the words may start off sounding foreign, in actuality they are so accessible, the motivations so clear, the resonances so contemporary. When you put it in a modern context - we could well be in a place with someone like Gaddafi or Mubarak - it becomes apparent how Richard III resonates with that type of personality, with media and manipulation, alliances and petty jealousies.
Kevin Spacey
This is sad. I just think it's a little ridiculous we are still only looking at the surface of one another. Red hair? Blue hair? Pink? Blonde? Short? Long? Whatever. We might as well shave our heads. Hair has nothing to do with the reason we playing music. It's a style. Something that will never last as long as the songs we play and the words we sing. Listen up ladies in bands, I'm so proud to be one of you and I don't care if we all look exactly alike or if we are all carbon copies of each other. We have things to say and it's up to us to get people to not just look but to LISTEN!
Hayley Williams
As soon as a thought or word becomes a tool, one can dispense with actually ‘thinking' it, that is, with going through the logical acts involved in verbal formulation of it. As has been pointed out, often and correctly, the advantage of mathematics-the model of all neo-positivistic thinking-lies in just this ‘intellectual economy.' Complicated logical operations are carried out without actual performance of the intellectual acts upon which the mathematical and logical symbols are based. ... Reason ... becomes a fetish, a magic entity that is accepted rather than intellectually experienced.
Max Horkheimer
Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art... He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object."
Jasper Johns
The new "ambiguity" means, in a way adjudged favorable to literary, poetic, intellectually and psychologically well-devised and praiseworthily executed linguistic performance, uncertainty of meaning, or difficulty for the interpreter in identifying just what the meaning in question is: it means the old meanings of ambiguity with a difference. It means uncertainty of meaning (of a word or combination of words) purposefully incorporated in a literary composition for the attainment of the utmost possible variety of meaning-play compressible within the verbal limits of the composition.
Laura Riding
