There were two problems which had to be faced. One was spatial and the other methodological. In the first case I had to do something about relational painting, i. e. the balancing of the various parts of the painting with and against each other. The obvious answer was symmetry – make it the same all over. The question still remained, though, of how to do this in depth. A symmetrical image or configuration symmetrically placed on a open ground is not balanced out in the illusionistic space. The solution I arrived at, and there are probably quite a few, although I only know of one other, color density, forces illusionistic space out of the painting at constant intervals by using a regulated pattern. The remaining problem was simply to find a method of paint application which followed and complemented the design solution. This was done by using the house painters technique and tools.
Frank StellaRelated topics
answer application balancing case color configuration constant density depth design done few find ground house image method open painting paint pattern problem question quite remaining solution something space symmetry technique using forces partsRelated quotes
... a rather different class of applications of the idea of best allocation of scarce resources... usually referred to as the theory of optimal economic growth. In most studies of this kind made in the countries with market economies there is not an identifiable client to whom the findings are submitted as policy recommendations. Nor is there an obvious choice of objective function, such as cost minimization or profit maximization in the studies addressed to individual enterprises. The field has more of a speculative character. The models studied usually contain only a few highly aggregated variables. One considers alternative objective functions that incorporate or emphasize various strands of ethical, political, or social thought. These objectives are then tried out to see what future paths of the economy they imply under equally simplified assumptions of technology or resource availability.
Tjalling Koopmans
As a Line, I say, is looked upon to be the Trace of a Point moving forward, being in some sort divisible by a Point, and may be divided by Motion one Way, viz. as to Length; so Time may be conceiv'd as the Trace of a Moment continually flowing, having some Kind of Divisibility from an Instant, and from a successive Flux, inasmuch as it can be divided some how or other. And like as the Quantity of a Line consists of but one Length following the Motion; so the Quantity of Time pursues but one Succession stretched out as it were in Length, which the Length of the Space moved over shews and determines. We therefore shall always express Time by a right Line; first, indeed, taken or laid down at Pleasure, but whose Parts will exactly answer to the proportionable Parts of Time, as its Points do to the respective Instants of Time, and will aptly serve to represent them. Thus much for Time.
Isaac Barrow
And this in turn makes it plain that the Right Man problem is a problem of highly dominant people. Dominance is a subject of enormous importance to biologists and zoologists because the percentage of dominant animals - or human beings - seems to be amazingly constant. Bernard Shaw once asked the explorer H. M. Stanley how many other men could take over leadership of the expedition if Stanley himself fell ill; Stanley replied promptly: "One in twenty." "Is that exact or approximate?" asked Shaw. "Exact." And biological studies have confirmed this as a fact. For some odd reason, precisely five per cent - one in twenty - of any animal group are dominant - have leadership qualities. During the Korean War, the Chinese made the interesting discovery that if they separated out the dominant five per cent of American prisoners of war, and kept them in separate compound, the remaining ninety-five per cent made no attempt to escape.
Henry Morton Stanley
Why should five hundred or six hundred titled persons govern us, and why should their children govern our children for ever? I invite a reply from the apologists and the admirers of the House of Lords. I invite them to show any ground of reason, or of logic, or of expediency or practical common sense in defence of the institution which has taken the predominant part during the last few days in the politics of our country. There is no defence, and there is no answer, except that the House of Lords...has survived out of the past. It is a lingering relic of a feudal order. It is the remains, the solitary reminder of a state of things and of a balance of forces which has wholly passed away. I challenge the defenders, the backers, and the instigators of the House of Lords-I challenge them to justify and defend before the electors of the country the character and composition of the hereditary assembly.
Winston Churchill
Critics of visual arts and of music describe in words - that is to say, a system of signs other than those made by brushes on canvas or chisels into stone or notes of music - those characteristics of painting or sculpture or music which can be described or analysed. Visual artists and composers can disregard critics on the ground that the medium of verbal criticism bears so indirect a relation to the medium in which they make something. Poets are in a different situation. With the development of so-called scientific methods of criticism they are made ever conscious that criticism of poetry is in the same medium of work as the art which they practise. "Close analysis” is useful to critics and readers. But for the poet there is the danger of disintegration of poetry into paraphrase, examination of technique, influences, all analysed in the language of criticism.
Stephen Spender
