Neo-Impressionist method is an attempt is made to achieve the richness of the sunlight spectrum with all its tones. An orange that blends with yellow and red, a violet that tends toward red and blue, a green between blue and yellow are, with white the sole elements. Through mixture (in the eye of the observer) of these pure colours, whose relationship can be varied at will, from the most brilliant to the greyish. Every brush stroke that is taken from the palette remains pure on the canvas.
Paul SignacRelated topics
attempt blue brilliant brush canvas eye green method mixture observer orange palette pure red relationship richness sole spectrum stroke sunlight take vary violet white yellow remains elements coloursRelated quotes
We must needs believe with faith, whatever counsels reason may give us, that in the depths of our own bodies, in animals, in plants, in rocks, in everything that lives, in all the Universe, there is a spirit that strives to know itself, to acquire consciousness of itself, to be itself - for to be oneself is to know oneself - to be pure spirit; and since it can only achieve this by means of the body, by means of matter, it creates and makes use of matter at the same time that it remains a prisoner of it.
Miguel de Unamuno
It was a yellow voice, a high, shrill treble in the nursery
White always and high, I remember it so,
White cupboard, off-white table, mugs, dolls' faces
And I was four or five. The garden could have been
Miles away. We were taken down to the green
Asparagus beds, the cut lawn, and the smell of it
Comes each summer after rain when white returns. Our bird,
A canary called Peter, sang behind bars. The black and white cat
Curled and snoozed by the fire and danger was far away.
Elizabeth Jennings
The progression of a painter's work, as it travels in time from point to point, will be toward clarity: toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer. As examples of such obstacles, I give (among others) memory, history or geometry, which are swamps of generalization from which one might pull out parodies of ideas (which are ghosts) but never an idea in itself. To achieve this clarity is, inevitably, to be understood.
Mark Rothko
[the canvas.. ] rubbing in with a handful of straw, with a rag, a scrubbing brush, a Majorcan brush for applying white, with the hand, etc.... [a drawing in a] gigantic rhythm like that of a waterfall cascading down a mountainside.... [works based on] pure signs begun in Varensgeville and finished in Palma.... [with a picture ground of] blue vitriol [a pesticide] that they use for the vines and that splashes against the walls of the farmhouse..
Joan Miró
Well, I have a very simple method of painting. It's to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that's my method. It's very simple.. .Yes, linseed oil. I used to use poppy oil, but I have heard that poppy oil is given to cracking pigment too, so I use it no longer.. .I find linseed oil and white lead the most satisfactory mediums.
Edward Hopper
