When I think of the thousands and thousands of pounds which have been spent by the National Art Collections Fund on the purchase of paintings-some of questionable merit and dubious condition-by Old Masters already represented in the National Gallery-it makes me boil with rage to think that in 1905 it would not contribute one halfpenny towards the purchase for the nation of a picture by one of the Great French Masters of the late nineteenth century. It was a short-sighted policy, but the Fund's inertia and snobbish ineptitude are entirely characteristic of the habits of art-officialdom in England. (Frank Rutter)

When I think of the thousands and thousands of pounds which have been spent by the National Art Collections Fund on the purchase of paintings-some of questionable merit and dubious condition-by Old Masters already represented in the National Gallery-it makes me boil with rage to think that in 1905 it would not contribute one halfpenny towards the purchase for the nation of a picture by one of the Great French Masters of the late nineteenth century. It was a short-sighted policy, but the Fund's inertia and snobbish ineptitude are entirely characteristic of the habits of art-officialdom in England.

Frank Rutter

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art boil century characteristic french great ineptitude inertia late merit nation national nineteenth picture spend think masters

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