Mix a rose madder with white, let us say, and you get a pink, quite different from the original madder, and the result is a surface color instead of a transparent one, a color you look on instead of into. One does not paint long out of doors before it becomes apparent that a green tree has a lot of red in it. You may not see the red because your eye is blinded by the strong green, but it is there never the less. So if you mix a red with the green you get a sort of mud, each color killing the other. But by the other method. when the green is dry and a rose madder glazed over it you are apt to get what is wanted, and have a richness and glow of one color shining through the other, not to be had by mixing.
Maxfield ParrishRelated topics
apparent apt color different dry eye glow green killing less madder method mixing mix mud original paint pink quite red result richness rose say see shining sort surface tree white doors glazedRelated quotes
What happens when our eye sees a rose? What do we do when that happens? Our mind does something, to be sure, in the mere fact of taking in the object, grasping its color, its shape, and so on. We have to be awake and active. But all the same, it is a "relaxed" looking, so long as we are merely looking at it and not observing or studying it, counting or measuring its various features. Such observation would not be a "relaxed" action; it would be what Ernst Jünger termed an "act of aggression." But simply looking at something, gazing at it, "taking it in," is merely to open our eyes to receive the things that present themselves to us, that come to us without any need for "effort" on our part to "possess" them.
Josef Pieper
The average person, when they see a black man, they would say "Man, he got soul cos' his color." But I disagree with that. I think that God would be a very selfish God if He gave all the soul to one race. He lets his rain fall on the red flowers, the green flowers, the blue flowers; the good, the bad, no races, so He lets His blessings fall on all races. So I think that there are types of souls, like there are different types of cars. But they're all cars. You know, I think that, when a white guy sing[s], if he have soul, that don't mean that he had to copy no negro to get it. I believe if he feels, when one sings from the heart and it reaches another heart, that's soul.
Little Richard
If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this: in portrait painting to put on canvas something more than the face the model wears for that one day: to paint the man, in short, as well as his features; in arrangement of colours to treat a flower as his key, not as his model. This is now understood indifferently well – at least by dressmakers. In every costume you see attention is paid to the key-note of colour which runs through the composition, as the chant of the Anabaptists through the 'Prophète', or the Hugenots' hymn in the opera of that name.
James McNeill Whistler
Suppose a surface to be part red and part blue; so that every point on it is either red or blue, and of course, no part can be both red and blue. What then, is the color of the surface in the immediate neighborhood of the point. ...it follows that the boundary is half red and half blue. In like manner, we find it necessary to hold that consciousness essentially occupies time... Thus, the present is half past and half time to come. ...Take another case: the velocity of a particle at any instant of time is its mean velocity during an infinitesimal instant in which that time is consumed. Just so, my immediate feeling is my feeling through an infinitesimal duration containing the present instant.
Charles Sanders Peirce
Avoiding all control, I spread out sheets of white paper or canvas in the nature. For some time they stay in the grass, in the rushes of river, in the meadows or among the rocks. Nature registers its presence, covering the surface of the paper with colors, forms and tracks. This process is controlled by a number of agents; such as space and time, substance and causality. It is governed by nature's intensity. It does not, depend on man's interference. Nature is the greatest and most admirable creator, and unlike logic it doesn't fail. The artist obligation is not to shape - handicraft, but to understand the riddles of reality. In such conception of Art there lies, as in the Universe itself, an immense richness, and a countless variety of forms.
Jacek Tylicki
