Women have been discouraged from genres such as sculpture that require studio training or expensive materials. But in philosophy, mathematics, and poetry, the only materials are pen and paper. Male conspiracy cannot explain all female failures. I am convinced that, even without restrictions, there still would have been no female Pascal, Milton, or Kant. Genius is not checked by social obstacles: it will overcome. Men's egotism, so disgusting in the talentless, is the source of their greatness as a sex. [...] Even now, with all vocations open, I marvel at the rarity of the woman driven by artistic or intellectual obsession, that self-mutilating derangement of social relationship which, in its alternate forms of crime and ideation, is the disgrace and glory of the human species.
Camille Paglia
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Moreover I want to tell Dr. Süßheim -- who wants to portray every anti-Semite as a psychopath -- about his racial fellow Dr. Otto Weininger, who as an honest Jew wrote down his thoughts in the book "Sex and Character":
"Jewry seems to be somewhat anthropologically related to the Negroes and the Mongolians. To the Negro points the readily curling hair, to an admixture of Mongolian blood points the very Chinese or Malayan formed skull, that one finds so often among Jews, which matches the usually yellowish complexion ... The fact that excellent men have almost always been anti-Semites (Tacitus, Pascal, Voltaire, Goethe, Kant, Jean Paul, Schopenhauer, Grillparzer, Richard Wagner) can be explained in the following way: they, who have so much more in their own nature than other men, can also better understand Jewry."
Julius Streicher
A mind of a certain size can feel only exasperation toward a city. Nothing can drive me more fully into despair. The walls first of all, and even then all the rest is only so many horrid images of selfishness, mistrust, stupidity, and narrow-mindedness. No need to memorize the Napoleonic code. Just look at a city and you have it. Each time I come back from the country, just as I am starting to congratulate myself on my calmness, there breaks out a furor, a rage... And I come upon my mark, homo sapiens, the acquisitive wolf. Cities, architectures, how I loathe you! Great surfaces of vaults, vaults cemented into the earth, vaults set out in compartments, forming vaults to eat in, vaults for sex, vaults on the watch, ready to open fire. How sad, sad...
Henri Michaux
Let us get down to fundamentals. Is this an open, or is this a closed society? Is it a society where men can preach ideas - novel, unorthodox, heresies, to established churches and established governments - where there is a constant contest for men's hearts and minds on the basis of what is right, of what is just, of what is in the national interests, or is it a closed society where the mass media - the newspapers, the journals, publications, TV, radio - either bound by sound or by sight, or both sound and sight, men's minds are fed with a constant drone of sycophantic support for a particular orthodox political philosophy? I am talking of the principle of the open society, the open debate, ideas, not intimidation, persuasion not coercion...
Lee Kuan Yew
On 11 October 1908, having worked for six years at my international magazine Poesia, in an attempt to free the Italian lyrical genius that was under sentence of death from its traditional and commercial fetters, I suddenly felt that articles, poetry and controversies were no longer enough. It was absolutely crucial to switch methods, get out into the streets, lay siege to theaters, and introduce the fisticuffs into the artistic struggle... My Italian blood raced faster when my lips coined out loud the word FUTURISM.
It was the new formula of Action-Art and a code of mental health. It was a youthful and innovative banner, anti-traditional, optimistic, heroic and dynamic, that had to be hoisted over the ruins of all attachment to the past.
Filippo Tommaso Marinetti