Scenario: In the summer of 1977 The Human League was formed due to the members finding no conventional channels for their immense talents. Background: None of The Human League have any orthodox musical training, but prefer to regard compositions as an extension of logic, inspiration and luck. Therefore, unlike conventional musicians, their influences are not so obvious. Conclusion/Manifesto: Interested in combining the best of all worlds, The League would like to positively affect the future by close attention to the present, allying technology with humanity and humour. They have been described as 'Later Twentieth Century Boys' and 'Intelligent, Innovatory and Immodest.
Philip OakeyRelated topics
affect attention background best century close combining conclusion conventional due extension finding future human humanity immense inspiration later league logic luck manifesto musical none orthodox present regard scenario summer technology training twentieth unlike humour boys channels worldsRelated quotes
The technology for using base motives to productive economic effect is reasonably well understood. Indeed, the history of the twentieth century encourages the thought that the easiest way to generate productivity in a modern society is by nourishing the motives of which I spoke earlier, namely, those of greed and fear. But we should never forget that greed and fear are repugnant motives. Who would propose running a society on the basis of such motives, and thereby promoting the psychology to which they belong, if they were not known to be effective, if they did not have the instrumental value which is the only value that they have?
Gerald Cohen
Unity is the great goal toward which humanity moves irresistibly. But it becomes fatal, destructive of the intelligence, the dignity, the well-being of individuals and peoples whenever it is formed without regard to liberty, either by violent means or under the authority of any theological, metaphysical, political, or even economic idea. That patriotism which tends toward unity without regard to liberty is an evil patriotism, always disastrous to the popular and real interests of the country it claims to exalt and serve. Often, without wishing to be so, it is a friend of reaction – an enemy of the revolution, i.e., the emancipation of nations and men.
Mikhail Bakunin
Government clerics who enter the holy city of Ghom and its seminaries backed by money and not-so-hidden coercive powers of the state are a thorn in the side of independent clerics who are more interested in faith and morality than power. In the younger, more popular days of this theocracy the schism was not obvious. Now, with masses of people on the streets, crushed by the orders of the head government cleric, the rift is wide open. The grand ayatollahs can no longer keep quiet about rape and torture in jails in the name of Islam. Unlike government mullahs, these senior clerics get their support from the people, so they can never be far away from popular feelings.
Reza Pahlavi
I don't know if it's a hundred years, but it seems to me if history continues-that's not at all obvious, that it will-but if society continues to develop without catastrophe on something like the course that you can sort of see over time, I wouldn't be in the least surprised if it moves toward vegetarianism and protection of animal rights. In fact, what we've seen over the years-and it's hard to be optimistic in the twentieth century, which is one of the worst centuries in human history in terms of atrocities and terror and so on-but still, over the years, including the twentieth century, there is a widening of the moral realm, bringing in broader and broader domains of individuals who are regarded as moral agents.
Noam Chomsky
Yes, the aluminum paint... What happened, at least for me, is that when I first started painting I would see Pollock, de Kooning, and the one thing they all had that I didn't have was an art school background. They were brought up on drawing and they all ended up painting or drawing with the brush. They got away from the smaller brushes and, in an attempt to free themselves, they got involved in commercial paint and house-painting brushes, Still it was basically drawing with paint, which has the characterized almost all twentieth century painting. The way my own painting was going, drawing was less and less necessary. It was the one thing I wasn't going to do. I wasn't going to draw with the brush.
Frank Stella
