All this will have left you disposed to understand one of our principal Futurist efforts, which consists of abolishing in literature the apparently indissoluble fusion of the two concepts of Woman and Beauty. This ideological a fusion has reduced all romance to a sort of heroic assault that a bellicose and lyrical male launches against a tower that bristles with enemies, a story which ends when the hero, now beneath starlight, carries the divine Beauty-Woman away to new heights. Novels such as Toilers of the Sea by Victor Hugo or Salammbô by Flaubert can clarify my point. It is a matter of a dominant leitmotif, already worn out, c of which we would like to disencumber literature and art in general.
Filippo Tommaso MarinettiRelated topics
art assault beauty divine dominant fusion futurist general hero heroic left leitmotif literature male matter now point principal romance sea sort starlight story tower victor worn woman ends flaubert heights hugoRelated quotes
Fine weather encourages individualism. When the whole glittering landscape is cut out as clear as a map-indented by the blue sky as by a blue sea, then each one of us wishes to take his own way, to walk by himself along the roads of the world and conquer for himself the cities of the morning. In the sunlight a man asks for liberty, which is only the divine name for loneliness. But it is in black and bleak conditions that we learn that it is not well for man to be alone; and festivity was discovered in the darkness. Winter encourages that thing called comradeship which modern humanitarians so often seem unable to understand, but which Walt Whitman so wisely perceived to be the permanent foundation of democracy.
G. K. Chesterton
With respect to what are called denominations of religion, if every one is left to judge of its own religion, there is no such thing as a religion that is wrong; but if they are to judge of each other's religion, there is no such thing as a religion that is right; and therefore all the world is right, or all the world is wrong. But with respect to religion itself, without regard to names, and as directing itself from the universal family of mankind to the Divine object of all adoration, it is man bringing to his Maker the fruits of his heart; and though those fruits may differ from each other like the fruits of the earth, the grateful tribute of every one is accepted.
Thomas Paine
The establishing of the dominion of God on earth, the abolishing of the dominion of man, the taking away of sovereignty from the usurper to revert it to God, and the bringing about of the enforcement of the Divine Law (Shari'ah) and the abolition of man-made laws cannot be achieved only through preaching. Those who have usurped the authority of God and are oppressing God's creatures are not going to give up their power merely through preaching; if it had been so, the task of establishing God's religion in the world would have been very easy for the Prophets of God. This is contrary to the evidence from the history of the Prophets and the story of the struggle of the true religion, spread over generations.
Sayyid Qutb
Those who are in ideology believe themselves by definition outside ideology: one of the effects of ideology is the practical denegation of the ideological character of ideology by ideology: ideology never says, ‘I am ideological'. It is necessary to be outside ideology, i. e. in scientific knowledge, to be able to say: I am in ideology (a quite exceptional case) or (the general case): I was in ideology. As is well known, the accusation of being in ideology only applies to others, never to oneself (unless one is really a Spinozist or a Marxist, which, in this matter, is to be exactly the same thing). Which amounts to saying that ideology has no outside (for itself), but at the same time that it is nothing but outside.
Louis Althusser
The double meanings inherent in the phenomenon both-and can involve metamorphosis as well as contradiction. I have described how the omni-directional spire of the tower of Christ Church, Spitalfields, evolves into a directional pavilion at its base, but a perceptual rather than a formal kind of change in meaning is possible. In equivocal relationships one contradictory meaning usually dominates another, but in complex compositions the relationship is not always constant. This is especially true as the observer moves through or around a building, and by extension through a city: at one moment one meaning can be perceived as dominant; at another moment a different meaning seems paramount.
Robert Venturi
