There is a widespread public misperception, particularly among the New Age sector, that the Chinese word for "crisis” is composed of elements that signify "danger” and "opportunity.” I first encountered this curious specimen of alleged oriental wisdom about ten years ago at an altitude of 35,000 feet sitting next to an American executive. ... While it is true that wēijī does indeed mean "crisis” and that the wēi syllable of wēijī does convey the notion of "danger,” the jī syllable of wēijī most definitely does not signify "opportunity.” ... The jī of wēijī, in fact, means something like "incipient moment; crucial point (when something begins or changes).” Thus, a wēijī is indeed a genuine crisis, a dangerous moment, a time when things start to go awry. A wēijī indicates a perilous situation when one should be especially wary.
Victor H. MairRelated topics
age altitude american chinese crisis danger executive fact feet incipient mean misperception moment next notion opportunity oriental point public sector should signify sitting situation something specimen start syllable ten thus time while wisdom word means years elements thingsRelated quotes
Once helium burning has occurred... the next possible reaction-carbon burning-is not necessarily slow... This reaction involves ...a strong as opposed to a weak interaction. ...Carbon burning results in magnesium. ...Taking a cross section of a highly evolved star would reveal a system of many layers. The inner layers have been subjected to the largest pressures, thereby forced to the highest temperatures, and burned the furthest; the outermost layers, by contrast, have not burned at all. Thus, as we proceed from outside in, there will be an outermost layer with the initial mix of hydrogen and helium, a layer of mostly helium, a layer of carbon, a layer of magnesium, and so on. ...So we arrive at the picture of a star, in the latest stages of its evolution... now composed of mostly carbon nuclei and other explosive material.
Frank Wilczek
Big industry, and the limitless expansion of production which it makes possible, bring within the range of feasibility a social order in which so much is produced that every member of society will be in a position to exercise and develop all his powers and faculties in complete freedom. It thus appears that the very qualities of big industry which, in our present-day society, produce misery and crises are those which, in a different form of society, will abolish this misery and these catastrophic depressions.
We see with the greatest clarity: (i) That all these evils are from now on to be ascribed solely to a social order which no longer corresponds to the requirements of the real situation; and (ii) That it is possible, through a new social order, to do away with these evils altogether.
Friedrich Engels
the most remarkable piece of reading that you may be recommended to take and try if you can study is a book by Goethe-one of his last books, which he wrote when he was an old man, about seventy years of age-I think one of the most beautiful he ever wrote, full of mild wisdom, and which is found to be very touching by those who have eyes to discern and hearts to feel it. It is one of the pieces in "Wilhelm Meister's Travels." I read it through many years ago; and, of course, I had to read into it very hard when I was translating it (applause), and it has always dwelt in my mind as about the most remarkable bit of writing that I have known to be executed in these late centuries. I have often said, there are ten pages of that which, if ambition had been my only rule, I would rather have written than have written all the books that have appeared since I came into the world.
Thomas Carlyle
It seems to me that this last piece, The Poet Speaks, which is the title Schumann gave to this immortal work, should be a transition into a kind of intimate reverie. It is not just about making a beautiful sound and expressive phrasing. You also need to create a sense of dreaming. The truth is, you need to dream this piece, rather than play it.
Will you allow me to take your place? These two phrases are not connected. They are two different elements... of the same musical state. Here, like a question... And here again, another, tenderly asking the way. And from this moment, you should convey the music not just through the notes but through some kind of inspiration drawn from its immortal spirit. Now the sonorities should fade away...grow fainter and dimmer...and you are left simply in the presence of a reminiscent dream.
Alfred Cortot
.. I will endeavour to make clear to men of good will what the word 'material' means with regard to painting and that, without the material substance of paint, a painting is not a work of art but merely a decorative object, or rather, if it deals with an invented painting, the value of the image resides in its spiritual content.
In order to be a work of art, a painting must be very well painted and the good quality of the paint depends completely on the material substance of the paint with which it is executed. This matter, which constitutes the substance of painting, is composed of two elements which are equally important and absolutely inseparable: physical substance and metaphysical substance. These two elements complete each other reciprocally and when they are of a superior quality, create a masterpiece by way of their absolute harmony.
Giorgio de Chirico
