There is a certain amount of sham in shamanism. There is a certain amount of theatre. It's as loosely knit as that. We're sort of coming out of the closet a bit more over the next couple of years. We're going to be bringing out – manifesto's too pushy a word – if it's a theatre of marvels, we're bringing out a theatre programme in the next couple of years. We're working on it at the moment – our unified field theory of spookiness where we try to explain everything from language, consciousness, grey aliens to Rosicrucianism or whatever. It is a grand, mad theory which I'm working my best on at the moment to make it rational. It is an anti-rationalistic theory but I'm trying to couch it in rational terms so that it is not as insular as a lot of magic stuff.