This science gave me a taste for the arts. It is Number that gives value to sounds and silences, lights and shadows, forms and spaces. Michelangelo and Bach seemed to me like divine mathematicians [calculateurs]. Already I felt that only mathematics enables works that can last. Whether as a result of patient study, or of a stormy [fulgurante] intuition, number alone can reduce all our diversities of feeling to the strict unity of a mass, a fresco, or a sculpted head. (Jean Metzinger)

This science gave me a taste for the arts. It is Number that gives value to sounds and silences, lights and shadows, forms and spaces. Michelangelo and Bach seemed to me like divine mathematicians [calculateurs]. Already I felt that only mathematics enables works that can last. Whether as a result of patient study, or of a stormy [fulgurante] intuition, number alone can reduce all our diversities of feeling to the strict unity of a mass, a fresco, or a sculpted head.

Jean Metzinger

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divine felt fresco gives head intuition last mass mathematics number patient result science study taste value works bach michelangelo

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By Suprematism, I mean the supremacy of pure feeling in the pictorial arts. From the Suprematist point of view, the appearances of natural objects are in themselves meaningless; the essential thing is feeling – in itself and completely independent of the context in which it has been evoked. Academic naturalism, the naturalism of the impressionists, of Cézannism, of Cubism, etc., are all so to speak nothing but dialectic methods, which in themselves in no way determine the true value of the work of art.

Kazimir Malevich

It took me a long time to discover that particularities of form and natural colour evoke subjective states of feeling which obscure pure reality. The appearance of natural forms changes, but reality remains. To create pure reality plasticity, it is necessary to reduce natural forms to constant elements of form, and natural colour to primary colour. The aim is not to create other particular forms and colours, with all their limitations, but to work toward abolishing them in the interest of a larger unity.

Piet Mondrian

.. ambition to surpass Impressionism, destroying the subject's unity of time and place.... [to render its relations to] things that apparently had nothing to do with it, but that in reality were linked to it in my imagination, in my memories or by feeling. In the same canvas I brought together the Arc of Triumph, the Tour Eiffel, the Alps, the head of my father, an autobus, the municipal hall of Pienza, the boulevard...

Gino Severini

You must picture me alone in that room in Magdalen, night after night, feeling, whenever my mind lifted even for a second from my work, the steady, unrelenting approach of Him whom I so earnestly desired not to meet. That which I greatly feared had at last come upon me. In the Trinity Term of 1929 I gave in, and admitted that God was God, and knelt and prayed: perhaps, that night, the most dejected and reluctant convert in all England.

C. S. Lewis

To be happy one must be (a) well fed, unhounded by sordid cares, at ease in Zion, (b) full of a comfortable feeling of superiority to the masses of one's fellow men, and (c) delicately and unceasingly amused according to one's taste. It is my contention that, if this definition be accepted, there is no country in the world wherein a man constituted as I am - a man of my peculiar weakness, vanities, appetites, and aversions - can be so happy as he can be in the United States.

H. L. Mencken