Fabio Colonna deserves to be distinguished; for, although he gave way to the dogma that all fossil remains were to be referred to the Noachian deluge, he resisted the absurd theory of Stelluti, who taught that fossil wood and ammonites were mere clay, altered into such forms by sulfurous waters and subterranean heat; and he pointed out the different states of shells buried in the strata, distinguishing between, first, the mere mould or impression; secondly, the cast or nucleus; and thirdly, the remains of the shell itself. He had also the merit of being the first to point out, that some of the fossils had belonged to marine, and some to terrestrial testacea.
Charles LyellRelated topics
absurd altered bury cast clay deluge different distinguishing dogma fossil heat impression marine mere merit mould noachian nucleus point refer shell strata teach terrestrial testacea theory way wood remains statesRelated quotes
The second doctrine of the Perennial Philosophy - that it is possible to know the Divine Ground by a direct intuition higher than discursive reasoning - is to be found in all the great religions of the world. A philosopher who is content merely to know about the ultimate Reality - theoretically and by hearsay - is compared by Buddha to a herdsman of other men's cows. Mohammed uses an even homelier barnyard metaphor. For him the philosopher who has not realized his metaphysics is just an ass bearing a load of books. Christian, Hindu, Taoist teachers wrote no less emphatically about the absurd pretensions of mere learning and analytic reasoning.
Aldous Huxley
It remains true that Michelangelo's intensely personal use of the nude greatly altered its character. He changed it from a means of embodying ideas to a means of expressing emotions; he transformed it from the world of living to the world of becoming. And he projected his world of the imagination with such unequaled artistic power that its shadow fell on every male nude in art for three hundred and fifty years. Painters either imitated his heroic poses and proportions or they reacted against them self-consciously and sought a new repertoire of attitudes in the art of fifth-century Greece. In the nineteenth century the ghost of Michelangelo was still posing the models in art schools.
Kenneth Clark
It is known that very distant nebulae, probably galactic systems like our own, show remarkably high receding velocities whose magnitude increases with the distance. This curious phenomenon promises to provide some important clues for the future development of our cosmological views. It maybe of advantage, therefore, to point out some of the principal facts which any cosmological theory will have to account for. Then a brief discussion will be given of different theoretical suggestions related to the above effect. Finally, a new effect of masses upon light will be suggested which is a sort of gravitational analogue of the Compton effect.
Fritz Zwicky
First they junked the concept of "justice.” Examined semantically "justice” has no referent-there is no observable phenomenon in the space-time-matter continuum to which one can point, and say, "This is justice.” Science can deal only with that which can be observed and measured. Justice is not such a matter; therefore it can never have the same meaning to one as to another; any "noises” said about it will only add to confusion.
But damage, physical or economic, can be pointed to and measured. Citizens were forbidden by the Covenant to damage another. Any act not leading to damage, physical or economic, to some particular person, they declared to be lawful.
Robert A. Heinlein
A singer who is able to sing even sixteen measures of good music in a natural and engaging way, effortlessly and in tune, without distending the phrase, without exaggerating accents to the point of caricature, without platitude, affectation, or coyness, without making grammatical mistakes, without illicit slurs, without hiatus or hiccup, without making insolent changes in the text, without barks or bleats, without sour notes, without crippling the rhythm, without absurd ornaments and nauseating appoggiaturas – in short, a singer able to sing these measures simply and exactly as the composer wrote them – is a rare, very rare, exceedingly rare bird.
Hector Berlioz
