The philosopher does not just ‘play' with metaphors: his play is of a ‘formidable seriousness', for it is designed to oppose modernity's hatred for art, to obliterate precisely the opposition between play and seriousness, dream and reality. (Sarah Kofman)

The philosopher does not just ‘play' with metaphors: his play is of a ‘formidable seriousness', for it is designed to oppose modernity's hatred for art, to obliterate precisely the opposition between play and seriousness, dream and reality.

Sarah Kofman

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art dream hatred oppose opposition philosopher play reality seriousness

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