No, I don't think it's correct to define my writing as fables. There are themes, yes, but I'm not trying to offer some categorical cure-it-all to the problematic situation of Man. I'm neither theologian nor a politician. My concern in my first novel, The Zoo, was loss of inner life. After long years of writer's block, the novel just exploded out of me. Thirty days. All too quickly to really do it justice. With my second novel, The Nihilesthete, I was taken by the spiritual diminishment and the all-pervasive powerlessness that I felt was taking over our culture which in turn prevented and inverted my lead character's full expression. Such is the motive-force behind almost banal, cerebralized cruelties he harbours upon his arch-enemy, the artist, Brodski.
Richard KalichRelated topics
almost artist behind block categorical concern correct culture define diminishment expression felt full inner justice lead life loss man nor novel offer politician problematic second situation spiritual take taking theologian think thirty trying turn writing yes powerlessness years days zoo arch-enemyRelated quotes
I said that to invite minds to concern themselves with Mind and its destiny was a sign and symptom of the times. Would that idea have occurred to me, had not a whole body of impressions been sufficiently significant and powerful to reflect themselves in me, and for that reflection to become action? And that action, which consists of expressing it in your presence, would not perhaps have been accomplished had I not felt that my impressions were those of many other people, that the sensation of a diminution of mind, of a menace to culture, of a twilight of the most pure gods was a sensation which imposed itself with increasing strength on all those who are capable of feeling something in the order of superior values of which we are speaking.
Paul Valéry
What particularly attracted me [in his painting 'Still-life with Musical instruments', 1908 – 1909].... was the materialization of this new space that I felt to be in the offing. So I began to concentrate on still-life's, because in the still-life you have a tactile, I might almost say a manual space... This answered to the hankering I have always had to touch things and not merely see them. It was this space that particularly attracted me, for this was the first concern of Cubism, the investigation of space.... In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. This is what led me, long ago, from landscape to still-life.
Georges Braque
The lesson of the past century has been that where the dignity of the individual has been trampled or threatened - where citizens have not enjoyed the basic right to choose their government, or the right to change it regularly - conflict has too often followed, with innocent civilians paying the price, in lives cut short and communities destroyed.
The obstacles to democracy have little to do with culture or religion, and much more to do with the desire of those in power to maintain their position at any cost. This is neither a new phenomenon nor one confined to any particular part of the world. People of all cultures value their freedom of choice, and feel the need to have a say in decisions affecting their lives.
Kofi Annan
Babbitt looked up irritably from the comic strips in the Evening Advocate. They composed his favorite literature and art, these illustrated chronicles in which Mr. Mutt hit Mr. Jeff with a rotten egg, and Mother corrected Father's vulgarisms by means of a rolling-pin. With the solemn face of a devotee, breathing heavily through his open mouth, he plodded nightly through every picture, and during the rite he detested interruptions. Furthermore, he felt that on the subject of Shakespeare he wasn't really an authority. Neither the Advocate-Times, the Evening Advocate, nor the Bulletin of the Zenith Chamber of Commerce had ever had an editorial on the matter, and until one of them had spoken he found it hard to form an original opinion.
Sinclair Lewis
It is one of the most beautiful characteristics of Theosophy that it gives back to people in a more rational form everything which was really useful and helpful to them in the religions which they have outgrown... in this teaching as to the immortality of the soul and the life after death, Theosophy...does not put forward these great truths merely on the authority of some sacred book of long ago; in speaking of these subjects it is not dealing with pious opinions, or metaphysical speculations, but with solid, definite facts, as real and as close to us as the air we breathe or the houses we live in - facts of which many among us have constant experience - facts among which lies the daily work of some of our students, as will presently be seen.
Charles Webster Leadbeater
