October 14, 1972: that date should become a landmark in movie history comparable to May 29, 1913 - the night Le Sacre du Printemps was first performed - in music history. There was no riot, and no one threw anything at the screen, but I think it's fair to say that the audience was in a state of shock, because Last Tango in Paris has the same kind of hypnotic excitement as the Sacre, the same primitive force, and the same thrusting, jabbing eroticism. [...] Bertolucci and Brando have altered the face of an art form. Who was prepared for that? (Pauline Kael)

October 14, 1972: that date should become a landmark in movie history comparable to May 29, 1913 - the night Le Sacre du Printemps was first performed - in music history. There was no riot, and no one threw anything at the screen, but I think it's fair to say that the audience was in a state of shock, because Last Tango in Paris has the same kind of hypnotic excitement as the Sacre, the same primitive force, and the same thrusting, jabbing eroticism. [...] Bertolucci and Brando have altered the face of an art form. Who was prepared for that?

Pauline Kael

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