I don't really like to work with literary allusions very much. I never want to be in a position where I'm saying, "You've got to read a lot of other stuff" or "You've got to have had a good education in literature to fully appreciate what I'm doing."... I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
Kazuo IshiguroRelated topics
allusion bit brain comparison different dislike education find good kind light literature making mode people position read reading reader saying something stuff text use way work working world elitist elitismRelated quotes
Print also created new literary forms and altered ideas of literary style. Medieval poetry was conceived for the ear, and each poem had to stand the test of recitation. In addition, medieval audiences were not always interested in the poet himself, since his work was known to them only through the interpretations of minstrels, who frequently rephrased poems to suit their own image and images. The printed page changed these conditions. Slowly, the printed poet came into a new relationship with his reader. He learned not to be so repetitive as his predecessors since a reader could be depended upon to return as often as needed to uncompromised passages. ...After the flowering of dramatic poetry during the Elizabethan Age, the printed page substituted for the theater, and millions of children came to know Shakespeare only through this form.
Neil Postman
The first of these blessed charlatans to talk about God or religion will be condemned to being jeered at, scoffed at, covered with mud at all crossroads of the major French towns. If that scoundrel breaks that same law a second time, he will be locked away in an eternal prison. Let the most insulting blasphemies, the most atheistic writings be fully authorized, so that we may completely extirpate those horrifying toys of our childhoods from human hearts and memories. Let us hold a contest to find at last the text most capable of Enlightening Europeans about such a major subject; and let a substantial prize be established by the Nation as recompense for the man who, having said and proved everything about his theme, will leave his compatriots only a sickle to shatter all these phantoms and a straightforward heart to detest them.
Marquis de Sade
Don't forget that God sees you and watches you when you are in pain; He perceives even the beating of your heart. Consequently, He will not leave you without consolation and His fatherly protection. Naturally, the saints rejoiced in their afflictions; as for us, let us at least manage to accept affliction or pain patiently.
My child, pray within your heart, and the name of Jesus will become for you a comforting balm so that you can bear this trial of yours in a way which benefits you. You will greatly benefit from this trial if you submit yourself to it patiently. So again I say to you, with the almighty armor of prayer continually approach the omnipotent Lord more often, and you will come to know how He wondrously lifts the burden of pain and marvellously gives rest to sufferers.
Ephraim of Arizona
Audiences and critics acknowledge that a play or concerto gains force in great rendition. A good play may overcome bad staging. A great concerto may survive a poor soloist. But it is naturally assumed that a more accomplished performance intensifies the impact of the work. The play's text or concerto's score does not change, but the right actors and musicians help realize its full potential. Among contemporary literary critics, however, one never encounters this notion in regard to books and printing. To recognize the sensual contributions of the physical elements of a book is somehow assumed to demean the spiritual purity of the text. To notice the book itself smacks of philistinism, and to make distinctions based on paper, binding, and typography brings accusations of elitism or decadence.
Dana Gioia
My wife has just finished reading aloud your 'Life with a Black Regiment,' and you must allow me to thank you heartily for the very great pleasure which it has in many ways given us. I always thought well of the negroes, from the little which I have seen of them; and I have been delighted to have my vague impressions confirmed, and their character and mental powers so ably discussed. When you were here I did not know of the noble position which you had filled. I had formerly read about the black regiments, but failed to connect your name with your admirable undertaking. Although we enjoyed greatly your visit to Down, my wife and myself have over and over again regretted that we did not know about the black regiment, as we should have greatly liked to have heard a little about the South from your own lips.
Charles Darwin
