It took me back more than 40 years when I first heard her at a Sangeet Mahotsav organised by the state government in Bombay, as it was called then. The khayal in Shuddha Kalyan captured me and I remained a lifelong fan. The beauty of Shuddha Kalyan lies in the swaras of mandra saptak and in the meends relating to nishad andmadhyam, which she could exploit well with her bass voice.