But the Japanese paper was what I loved, and now, so many years later, when I see some exquisitely laid piece of calligraphy by a student of Ogata Korin in a museum, I think first not of the spiritualized handwork of Momoyama Japan, but of those long evenings in the family garage with Dad, smoothing and stretching the refined wing coverings of those planes. (Robert Hughes)

But the Japanese paper was what I loved, and now, so many years later, when I see some exquisitely laid piece of calligraphy by a student of Ogata Korin in a museum, I think first not of the spiritualized handwork of Momoyama Japan, but of those long evenings in the family garage with Dad, smoothing and stretching the refined wing coverings of those planes.

Robert Hughes

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calligraphy dad family japan japanese korin later lay museum now paper piece refined see smoothing stretching student think wing years garage evenings handwork

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