Although he had his faults as a writer, Howard was a natural storyteller, whose narratives are unmatched for vivid, gripping, headlong action. His heroes – King Kull, Conan, Bran Mak Morn, Solomon Kane are larger than life: men of mighty thews., hot passions, and indomitable will, who easily dominate the stories through which they stride. In fiction, the difference between a writer who is a natural storyteller and one who is not is like the difference between a boat that will float and one that will not. If the writer has this quality, we can forgive many other faults; if not, no other virtue can make up for the lack, any more than gleaming paint and sparkling brass on a boat make up for the fact that it will not float.
Robert E. HowardRelated topics
action boat bran brass difference dominate fact fiction float gleaming hero hot men king lack life mighty morn natural paint quality solomon sparkling stride virtue vivid writer gripping storyteller howard makRelated quotes
If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this: in portrait painting to put on canvas something more than the face the model wears for that one day: to paint the man, in short, as well as his features; in arrangement of colours to treat a flower as his key, not as his model. This is now understood indifferently well – at least by dressmakers. In every costume you see attention is paid to the key-note of colour which runs through the composition, as the chant of the Anabaptists through the 'Prophète', or the Hugenots' hymn in the opera of that name.
James McNeill Whistler
Arre bhai...there is so much more to Indian music than those beats. I have done bhangra...nothing against it. But why do we present only that to the Indian and global audience. Punjabi language and music has become the language of the film industry unfortunately. Be it Singh is King or London Dreams or New York Beats are the same. agreed you cannot use classical or folk music in New York or Singh is King but London Dreams - it's supposed to be a musical. Music should have been the soul of it. But that is the weakest thing in the film. So much could have been done - classical music and folk music could have been used. But they didn't. They want to finish of work ASAP. Quantity, not quality has taken over.
Waheeda Rehman
To be creative, scientists need libraries and laboratories and the company of other scientists; certainly a quiet and untroubled life is a help. A scientist's work is in no way deepened or made more cogent by privation, anxiety, distress, or emotional harassment. To be sure, the private lives of scientists may be strangely and even comically mixed up, but not in ways that have any special bearing on the nature and quality of their work. If a scientist were to cut off an ear, no one would interpret such an action as evidence of an unhappy torment of creativity; nor will a scientist be excused any bizarrerie, however extravagant, on the grounds that he is a scientist, however brilliant.
Peter Medawar
Supernatural agents are critical components of all religions but not of all ideologies. They are, in part, by-products of a naturally selected cognitive mechanism for detecting agents-such as predators, protectors, and prey-and for dealing rapidly and economically with stimulus situations involving people and animals. This innate releasing mechanism is trip-wired to attribute agency to virtually any action that mimics the stimulus conditions of natural agents: faces on clouds, voices in the wind, shadow figures, the intentions of cars or computers, and so on. Among natural agents, predators such as snakes are as likely to be candidates for deification as are protectors, such as parent-figures.
Scott Atran
In my search for these values I like to work both realistically and abstractly. In my drawing and painting I turn from one to the other as a necessity or impulse and not because of a preconceived design of action. When drawing what I see I am usually most conscious of the underlying principle of abstract form in human beings and their relationship one to the other. In making my abstract drawings I am most often aware of those human values which dominate the structure and meaning of abstract forms. Sculpture is the fusion of these two attitudes and I like to be free as to the degree of abstraction and realism in carving. The dominant feeling will always be the love of humanity and nature; and the love of sculpture for itself.
Barbara Hepworth
