Ali and Sanaubar had little in common, least of all their respective appearances. While Sanaubar's brilliant green eyes and impish face had, rumor has it, tempted countless men into sin, Ali had a congenital paralysis of his lower facial muscles, a condition that rendered him unable to smile and left him perpetually grim-faced. It was an odd thing to see the stone-faced Ali happy, or sad, because only his slanted brown eyes glinted with a smile or welled with sorrow. People say that eyes are windows to the soul. Never was that more true than with Ali, who could only reveal himself through his eyes.I have heard that Sanaubar's suggestive stride and oscillating hips sent men to reveries of infidelity.
Khaled HosseiniRelated topics
brilliant brown common condition face facial green happy infidelity men least left lower odd paralysis people reveal rumor sad say see sent sin smile sorrow soul stride thing while ali eyesRelated quotes
and here I give it under my hand that I will most willingly begin upon a new canvas [after his first portrait of Lady Dartmouth was criticized and rejected]. But I only for the present beg your Lordship will give me leave to try an experiment upon that picture to prove the amazing effect of dress. I meant to treat it as a cast-off picture and dress it (contrary, I know, to Lady Dartmouth's taste) in the modern way; the worst consequence that can attend it will be her ladyship's being angry with me for a time. I am vastly out in my notion if the face does not immediately look like; but I must know if Lady Dartmouth powders or not in common. I only beg to know that and to have the [first] picture sent down [back] to me..
Thomas Gainsborough
Great works of literature have frequently been produced by authors writing under assumed names. Despite readers' curiosity and the public's interest in identifying the creator of a work of art, an author generally is free to decide whether or not to disclose her true identity. The decision in favor of anonymity may be motivated by fear of economic or official retaliation, by concern about social ostracism, or merely by a desire to preserve as much of one's privacy as possible. Whatever the motivation may be, at least in the field of literary endeavor, the interest in having anonymous works enter the marketplace of ideas unquestionably outweighs any public interest in requiring disclosure as a condition of entry.
John Paul Stevens
Men have their choice in this world. They can be angels, or they may be demons. In the apocalyptic vision, John describes a war in heaven. You have only to strip that vision of its gorgeous Oriental drapery, divest it of its shining and celestial ornaments, clothe it in the simple and familiar language of common sense, and you will have before you the eternal conflict between right and wrong, good and evil, liberty and slavery, truth and falsehood, the glorious light of love, and the appalling darkness of human selfishness and sin. The human heart is a seat of constant war... Just what takes place in individual human hearts, often takes place between nations, and between individuals of the same nation.
Frederick Douglass
It is known that afore miracles come sorrow and anguish and tribulation; and that is for that we should know our own feebleness and our mischiefs that we are fallen in by sin, to meeken us and make us to dread God and cry for help and grace. Miracles come after that, and they come of the high Might, Wisdom, and Goodness of God, shewing His virtue and the joys of Heaven so far at it may be in this passing life: and that to strengthen our faith and to increase our hope, in charity. Wherefore it pleaseth Him to be known and worshipped in miracles. Then signifieth He thus: He willeth that we be not borne over low for sorrow and tempests that fall to us: for it hath ever so been afore miracle-coming.
Julian of Norwich
The legend of King Midas has been generally misunderstood. Most people think the curse that turned everything the old miser touched into gold, leaving him unable to eat or drink, was a lesson in the perils of avarice. But Midas's true sin was his failure to understand monetary economics. What the gods were really telling him is that gold is just a metal. If it sometimes seems to be more, that is only because society has found it convenient to use gold as a medium of exchange-a bridge between other, truly desirable, objects. There are other possible mediums of exchange, and it is silly to imagine that this pretty, but only moderately useful, substance has some irreplaceable significance.
Paul Krugman
