The French symbolists had a special term to express their love for things that had lost their objective significance, namely, ‘spleen.' The conscious, challenging arbitrariness in the choice of objects, its ‘absurdity' and ‘perverseness,' as if by a silent gesture discloses the irrationality of utilitarian logic, which it then slaps in the face in order to demonstrate its inadequacy with regard to human experience. And while making it conscious, by this shock, of the fact that it forgets the subject, the gesture simultaneously expresses the subject's sorrow over his inability to achieve an objective order. Twentieth-century society is not troubled by such inconsistencies. For it, meaning can be achieved in only one way-service for a purpose.