My Drawings expressed my despair, hate and disillusionment, I drew drunkards; puking men; men with clenched fists cursing at the moon ... I drew a man, face filled with fright, washing blood from his hands ... I drew lonely little men fleeing madly through empty streets. I drew a cross-section of tenement house: through one window could be seen a man attacking his wife; through another, two people making love; from a third hung a suicide with body covered by swarming flies. I drew soldiers without noses; war cripples with crustacean-like steel arms; two medical soldiers putting a violent infantryman into a strait-jacket made of a horse blanket ... I drew a skeleton dressed as a recruit being examined for military duty. I also wrote poetry.
George GroszRelated topics
arms blanket blood body cursing despair disillusionment drew duty empty face fleeing flies fright hang hate horse house men love making man medical military moon people poetry puking putting recruit seen skeleton steel strait-jacket suicide swarming tenement third violent war washing wife window hands infantryman cross-sectionRelated quotes
But now, in this century of ideologies, the Gods and Destiny have been given new life. "Miracles in the world are many," Sophocles wrote in the fifth century BC. "There is no greater miracle than man." Suddenly, at the end of the twentieth century, we discover that no, after all, it isn't true. Historical inevitability is a greater miracle than man. As is the dialectic. As is the superiority of various groups according to blood type. As is the genius of an abstract mechanism called the market. As is the leadership of inanimate objects - called technology - which worker bees create and then, inevitably, are led by. These inevitabilities are great leaps backward into the arms of the Gods and Destiny.
John Ralston Saul
Whether by the House or by the People, if an Abolitionist be chosen President of the United States, you will have presented to you the question of whether you will permit the government to pass into the hands of your avowed and implacable enemies... such a result would be a species of revolution by which the purposes of the Government would be destroyed and the observance of its mere forms entitled to no respect. In that event, in such manner as should be most expedient, I should deem it your duty to provide for your safely outside the Union of those who have shown the will, and would have acquired the power, to deprive you of your birthright and reduce you to worse than the Colonial dependence of your fathers.
Jefferson Davis
The House of Fantasy is built of stone and wood and furnished in High Medieval. Its people travel by horse and galley, fight with sword and spell and battle-axe, communicate by palantir or raven, and break bread with elves and dragons.
The House of Science Fiction is built of duralloy and plastic and furnished in Faux Future. Its people travel by starship and aircar, fight with nukes and tailored germs, communicate by ansible and laser, and break protein bars with aliens.
The House of Horror is built of bone and cobwebs and furnished in Ghastly Gothick. Its people travel only by night, fight with anything that will kill messily, communicate in screams and shrieks and gibbers, and sip blood with vampires and werewolves.
George R. R. Martin
Islam has never been misunderstood. Islam is the problem. But no one is stating the truth. No one is taking a hard look at the root of terrorism which is the brain washing machine called Islam. Islam is not up to me, is not up to any Muslim – man or woman. Islam is exactly what the prophet Muhammad did and said. In order to understand Islam you have to read the biography of Muhammad. It is very traumatising. It is very shocking. He married his second wife when she was six years old. He was over fifty. [...] His third wife was Sophia. She was a Jewish woman. It was well documented, well written in our school books that he attacked her tribe. He killed her father, her brother, and her husband. At the same day, he slept with her. That's what I call Islam.
Wafa Sultan
You can see the pains I take to hide the attachment [of the muscles] at the clavicles and sternum, to soften the modeling of the ribs where it seems that the breasts just begin to swell; I try to go about it entirely differently from the usual way, which is above all to show what one knows. As this is not an anatomy lesson, I must bind together as seen in nature everything covering the armatures that make up and support the body, in order to put down only what I experience faced with these tissues of flesh that let one sens the blood beneath, while they reflect the light of the sky. In a word, I must bring to the painting of that breast the same artlessness I would employ in painting a bottle of milk.
Jean-Baptiste-Camille Corot
