Prior to the rebellion the great mass of the people were satisfied to remain near the scenes of their birth. In fact an immense majority of the whole people did not feel secure against coming to want should they move among entire strangers. So much was the country divided into small communities that localized idioms had grown up, so that you could almost tell what section a person was from by hearing him speak... This is all changed now. The war begot a spirit of independence and enterprise. The feeling now is, that a youth must cut loose from his old surroundings to enable him to get up in the world. There is now such a commingling of the people that particular idioms and pronunciation are no longer localized to any great extent; the country has filled up "from the centre all around to the sea"; railroads connect the two oceans and all parts of the interior; maps, nearly perfect, of every part of the country are now furnished the student of geography.
Ulysses S. GrantRelated topics
almost birth centre coming commingling connect country cut enterprise entire extent fact feeling geography great hearing immense independence interior longer loose majority mass move near now particular people perfect person prior pronunciation rebellion remain sea section should small speak spirit student tell war world youth surroundings partsRelated quotes
The preservation of game involves a list of evils to the farmer of which the loss of money is probably not the greatest. It destroys his self-respect and the independence of his character. He takes a farm and contracts to pay a rent; he stocks it with cattle and sheep; he ploughs and sows and reaps-his landlord also stocks the same farm with hares and rabbits and pheasants, and enjoys his battue, or sends to market the game which his tenant's produce has fed. The tenant has his servants, to superintend or conduct the operations on his farm, and to feed and protect his cattle and his flocks-the landlord has his keepers to secure his game, and these keepers are a spy upon the tenant himself, and traverse his field by day or night, as though superior to his servants and himself. In all this there is a fruitful source of depredation to the farmer. Men of capital and independent feeling will shun an occupation which involves so much humiliation.
John Bright
A chance remark by Ardini, an Italian master carver whom I met there [in Rome], that 'marble changes colour under different people's hands' made me decide immediately that it was not dominance which one had to attain over material, but an understanding, almost a kind of persuasion, and above all greater co-ordination between head and hand. This thought has recurred again and again ever since - and has developed my greatest interests; the reason why people both move differently and stand differently in direct response to changed surroundings; the unconscious grouping of people when they are working together, producing a spatial movement which approximates to the structure of spirals in shells or rhythms in crystal structure; the meaning of the spaces between forms, or the shape of the displacement of forms in space, which in themselves have a most precise significance. All these responses spring from a factual and tactile approach to the object.
Barbara Hepworth
Cesalpino, a celebrated botanist, conceived that fossil shells had been left on the land by the sea, and had concreted into stone during the consolidation the soil; and in the following year (1597), Simeone Majoli went still farther, and coinciding for the most part with views of Cesalpino, suggested that the shells and matter of the Veronese, and other districts, might have cast up, upon the land, by volcanic explosions, like those gave rise, in 1538, to Monte Nuovo, near Puzzuoli.- This hint was the first imperfect attempt to connect the position fossil shells with the agency of volcanoes, a system more fully developed by Hooke, [Antonio] Lazzaro Moro, Hutton, and other writers. Two years afterwards, Imperati advocated the animal origin of fossilized shells, yet admitted that stones could vegetate by force of 'an internal principle,' and, as evidence of this, he referred to the teeth of fish, and spines of echini found petrified.
Charles Lyell
The "Second System Effect":
An architect's first work is apt to be spare and clean. He knows he doesn't know what he's doing, so he does it carefully and with great restraint.
As he designs the first work, frill after frill and embellishment after embellishment occur to him. These get stored away to be used "next time.” Sooner or later the first system is finished, and the architect, with firm confidence and a demonstrated mastery of that class of systems, is ready to build a second system.
This second is the most dangerous system a man ever designs. When he does his third and later ones, his prior experiences will confirm each other as to the general characteristics of such systems, and their differences will identify those parts of his experience that are particular and not generalizable.
The general tendency is to over-design the second system, using all the ideas and frills that were cautiously sidetracked on the first one. The result, as Ovid says, is a "big pile."
Fred Brooks
In consequence of my ill luck my life was again made a misery to me, so that I again ran away and went hawking on my own account, but my deformity had grown to such an extent, so that I could not move about the town without having a crowd of people gather around me. I then went into the infirmary at Leicester, where I remained for two or three years, when I had to undergo an operation on my face, having three or four ounces of flesh cut away; so thought I, I'll get my living by being exhibited about the country. Knowing Mr. Sam Torr, Gladstone Vaults, Wharf Street, Leicester, went in for Novelties, I wrote to him, he came to see me, and soon arranged matters, recommending me to Mr. Ellis, Bee-hive Inn, Nottingham, from whom I received the greatest kindness and attention. In making my first appearance before the public, who have treated me well - in fact I may say I am as comfortable now as I was uncomfortable before. I must now bid my kind readers adieu.
Joseph Merrick
