![[David Sylvester asked Gottlieb, he is aware of the impact of the city New York on his painting:] Definitely I am. When I was in Paris last spring, my original plan was to go for four months and to paint there, and a number of people urged me to stay. That wanted to see what would happen, how my painting would change. But I felt strongly after being there less than a month that it was necessary for me to come back to New York, because I feel a certain rhythm in New York I don't feel in Paris.... there is a tempo in the life of New York which is exhilarating and I feel that this gets into one's painting. It's the pulse, not the look. I'am not involved with the external appearance of the city; it's the vibrations. ]. (Adolph Gottlieb)](https://cdn.quotesdtb.com/img/quotes_images_webp/09/adolph-gottlieb-appearance-certain-287509.webp)
[David Sylvester asked Gottlieb, he is aware of the impact of the city New York on his painting:] Definitely I am. When I was in Paris last spring, my original plan was to go for four months and to paint there, and a number of people urged me to stay. That wanted to see what would happen, how my painting would change. But I felt strongly after being there less than a month that it was necessary for me to come back to New York, because I feel a certain rhythm in New York I don't feel in Paris.... there is a tempo in the life of New York which is exhilarating and I feel that this gets into one's painting. It's the pulse, not the look. I'am not involved with the external appearance of the city; it's the vibrations. ].
Adolph GottliebRelated topics
appearance certain change city external felt four impact last less life month necessary number original painting paint paris people plan pulse rhythm see spring stay tempo david monthsRelated quotes
I'd like you [Theo] to spend some time here, you'd feel it - after some time your vision changes, you see with a more Japanese eye, you feel colour differently. I'm also convinced that it's precisely through a long stay here that I'll bring out my personality. The Japanese [like a. o. Hokusai, admired by Vincent] draws quickly, very quickly, like a flash of lightning, because his nerves are finer, his feeling simpler. I've been here [Arles] only a few months but - tell me, in Paris would I have drawn in an hour the drawing of the boats?... Now this [sketch] was done without measuring, letting the pen go. So I tell myself that gradually the expenses will be balanced by work.
Vincent van Gogh
Is the Home Secretary aware that I was one of those Members there on Saturday and I was able to observe police officers spraying members of the crowd with red paint in order to identify them for later arrest, that the police were using agents provocateurs in the crowd and that at 9.10 during the evening, when there was complete quiet throughout the crowd, a completely unprovoked dragoon-like charge was mounted by the police straight into that crowd, seriously injuring a number of people? Does not the right hon. Gentleman believe that he should go and witness the scale and ferocity of police violence against innocent, peaceful people protesting against the theft of their jobs by the Murdoch empire?
Jeremy Corbyn
The period during the First World War was a very exciting time in Paris, with artists, philosophers, and poets continually discussing and arguing about the work with which they were involved. Although I myself am little concerned with abstract theory, I certainly do think of cubism as a form of emancipation essentially different from artistic movements that had preceded it. Thus, impressionism, while it was a revolutionary technique, was still an essentially naturalistic movement concerned with a precise examination of the nature of light and the effect of changing lights on representational scenes and objects. Cubism did add a new dimension to painting and sculpture, a dimension that changed our way of looking at nature and the work of art.
Jacques Lipchitz
I'm very aware that this programme may be regarded as bleak or depressing - an increasing population with an ever decreasing supply of resources – but humans have capabilities that animals don't: to think rationally; to study; to plan ahead. The number of people on the planet depends on the personal decisions we each make regarding the number of children we have even setting aside the moral responsibility we have to protect other species, if we continue to damage our ecosystem, we damage ourselves. Its clear that we'll have to change the way that we live and use our resources. We're at a crossroads where we can chose to cooperate or carry on regardless. Can our intelligence save us? I hope so. m46s24-m47s15.
David Attenborough
Failing to divide its social chromosomes and split up into new cells, each bearing some portion of the original inheritance, the city continues to grow inorganically, indeed cancerously, by a continuous breaking down of old tissues, and an overgrowth of formless new tissue. Here the city has absorbed villages and little towns, reducing them to place names, like Manhattanville and Harlem in New York; there it has, more happily, left the organs of local government and the vestiges of an independent life, even assisted their revival, as in Chelsea and Kensington in London; but it has nevertheless enveloped those areas in its physical organization and built up the open land that once served to ensure their identity and integrity.
Lewis Mumford
