.. Recently I was at the home of Thomas Hess and he had a painting hanging there and I said to my wife: 'Is that one of my paintings?'. And she said: 'Well, it looks like one of yours from around 1942'. But then we realized that it wasn't one of my but one of Baziote's paintings.... at that time, 1942, the differences in our paintings may have seemed very great, but now [1960] the difference is not so great apparently.... For example; in the early forties Rothko and I decided to paint a certain subject matter. Perhaps if we saw some of those paintings now.... they might not seem so different as they did at the time. However, at no point was there ever any sort of a doctrine or a programma or anything that would make a school. I think it was simply a situation in which all of the painters were at that time; they were trying to break away from certain things. (Adolph Gottlieb)

.. Recently I was at the home of Thomas Hess and he had a painting hanging there and I said to my wife: 'Is that one of my paintings?'. And she said: 'Well, it looks like one of yours from around 1942'. But then we realized that it wasn't one of my but one of Baziote's paintings.... at that time, 1942, the differences in our paintings may have seemed very great, but now [1960] the difference is not so great apparently.... For example; in the early forties Rothko and I decided to paint a certain subject matter. Perhaps if we saw some of those paintings now.... they might not seem so different as they did at the time. However, at no point was there ever any sort of a doctrine or a programma or anything that would make a school. I think it was simply a situation in which all of the painters were at that time; they were trying to break away from certain things.

Adolph Gottlieb

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anything break certain decided difference different doctrine early example forties great hanging home matter might now painting paint perhaps point programma saw say school situation sort subject think time trying well wife things thomas rothko hess looks

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