What does an instinctively popular poet do in contemporary America, where serious poetry is no longer a popular art? The public whose values and sensibility he celebrates is unaware of his existence. Indeed, even if they were aware of his poetry, they would feel no need to approach it. Cut off from his proper audience, this poet feels little sympathy with the specialized minority readership that now sustains poetry either as a highly sophisticated verbal game or secular religion. His sensibility shows little similarity to theirs except for the common interest in poetry. And so the popular poet usually leads a marginal existence in literary life. His fellow poets look on him as an anomaly or an anachronism. Reviewers find him eminently unnewsworthy. Publishers see little prestige attached to printing his work. Critics, who have been trained to celebrate complexity, consider him an amiable simpleton.
Dana GioiaRelated topics
anachronism anomaly approach art audience common complexity contemporary cut existence fellow find game interest life longer marginal minority need now off poet poetry popular prestige printing proper public readership religion secular see sensibility similarity simpleton sympathy verbal work america feelsRelated quotes
The rhetoric of to-day, the rhetoric we have to consider, is the rhetoric of the "Bulging corn bins." I suppose that this gift has been responsible for more bloodshed on this earth than all the guns and explosives that have ever been invented. If we look back only over the last century, was there anything more responsible for the French Revolution than the literary rhetoric of Rousseau, fanned by the verbal rhetoric of Robespierre and others, just as the Russian Revolution was due to the rhetoric of Kerensky- flatulent rhetoric which filled the bellies of his people with the east wind? That appalling twopenny-ha'penny gift of fluency, with the addition of a certain amount of training and of imagination in word-spinning, is the kind of rhetoric which stirs the emotions of the ignorant mob and sets it moving. It is because such forces can be set in motion by rhetoric that I have no regard for it, but a positive horror.
Stanley Baldwin
Had it merely called to our attention the existence and exact nature of certain fundamental gaps in economic theory, the Theory of Economic Behavior by von Neumann and Morgenstern would have been a book of outstanding importance. But it does more than that. It is essentially constructive: where existing theory is considered to be inadequate, the authors put in its place a highly novel analytical apparatus designed to cope with the problem.
It would be doing the authors an injustice to say that theirs is a contribution to economics only. The scope of the book is much broader. The techniques applied by the authors in tackling economic problems are of sufficient generality to be valid in political science, sociology, or even military strategy. The applicability to games proper (chess and poker) is obvious from the title. Moreover, the book is of considerable interest from a purely mathematical point of view.
Leonid Hurwicz
It has always been my ambition since childhood to live such a life that one day my fellow citizens would call me to membership in this popular branch of the greatest lawmaking body in the world. Out of their confidence and partiality they have done this. It is now my sole purpose here to help enact such wise and just laws that our common country will by virtue of these laws be a happier and a more prosperous country. I have always dreamed of a country which I believe this should be and will be, and that is one in which the citizenship is an educated and patriotic people, not swayed by passion and prejudice, and a country that shall know no East, no West, no North, no South, but inhabited by a people liberty loving, patriotic, happy, and prosperous, with its lawmakers having no other purpose than to write such just laws as shall in the years to come be of service to human kind yet unborn.
Sam Rayburn
Fascism is a religion of the state. It assumes the organic unity of the body politic and longs for a national leader attuned to the will of the people. It is totalitarian in that it views everything as political and holds that any action by the state is justified to achieve the common goal. It takes responsibility for all aspects of life, including our health and well-being, and seeks to impose uniformity of thought and action, whether by force or through regulation and social pressure. Everything, including economy and religion, must be aligned with its objectives. Any rival identity is part of the "problem" and therefore defined as the enemy. I will argue that contemporary American liberalism embodies all of these aspects of fascism... You can see why the Marxist left would resist the idea that Hitler was a revolutionary. Because if he was, then either Hitler was a force for good, or revolutions can be bad.
Jonah Goldberg
Critics of visual arts and of music describe in words - that is to say, a system of signs other than those made by brushes on canvas or chisels into stone or notes of music - those characteristics of painting or sculpture or music which can be described or analysed. Visual artists and composers can disregard critics on the ground that the medium of verbal criticism bears so indirect a relation to the medium in which they make something. Poets are in a different situation. With the development of so-called scientific methods of criticism they are made ever conscious that criticism of poetry is in the same medium of work as the art which they practise. "Close analysis” is useful to critics and readers. But for the poet there is the danger of disintegration of poetry into paraphrase, examination of technique, influences, all analysed in the language of criticism.
Stephen Spender
