To work on stage these days with all the advanced tools developed by the electronic industry, you can't sit down like in the old days and start noodling around on a three-chord basis. Today you need a kind of structure or even a very complex composition for communicating properly between a bunch of people. Nevertheless, there is still room for musical freedom and even improvisation. (Edgar Froese)

To work on stage these days with all the advanced tools developed by the electronic industry, you can't sit down like in the old days and start noodling around on a three-chord basis. Today you need a kind of structure or even a very complex composition for communicating properly between a bunch of people. Nevertheless, there is still room for musical freedom and even improvisation.

Edgar Froese

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