[.. feel interested in] Things that are not overworked, that are in essence light. In other words, the great Cezannes that are not all filled in.... while I can recognize a master piece that is heavily painted or darkly painted or painted in layers as great and sublime, it would not be my choice to hang a - [inaudible] - for five years if I could instead perhaps have a Cezanne of the kind I just described. Or a certain kind of Matisse. Or one of those large Rubens sketches, where the first breath of feeling is the picture, rather than the labor and the gift. (Helen Frankenthaler)

[.. feel interested in] Things that are not overworked, that are in essence light. In other words, the great Cezannes that are not all filled in.... while I can recognize a master piece that is heavily painted or darkly painted or painted in layers as great and sublime, it would not be my choice to hang a - [inaudible] - for five years if I could instead perhaps have a Cezanne of the kind I just described. Or a certain kind of Matisse. Or one of those large Rubens sketches, where the first breath of feeling is the picture, rather than the labor and the gift.

Helen Frankenthaler

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breath certain choice essence feeling five gift great hang kind labor large light master perhaps picture piece sublime while words years things matisse rubens cezanne

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