I have no idea who that is. It's a terrible performance, the band is horribly out of tune-is that Maynard Ferguson? It starts off at a dynamic peak and never deviates from it. It also starts out with what is supposed to be jazz musicians trying to play some sort of a Latin bag, which is not making it, because there's no solidity of rhythms. Latin rhythm sections being based on the constant contrast of instruments, and it never moves any place. And then that thing on the end-what's that supposed to be? An adaptation of Porgy and Bess of some sort? I guess it was some sort of an allusion toward Porgy and Bess. But then if it is, it's completely escaped all the rest of it. It's like giving a paragraph of reference out of a two-page article and then saying, Well, this is about this.
Clare FischerRelated topics
adaptation allusion article bag band based constant contrast dynamic giving guess idea latin making off paragraph peak performance place play porgy reference rest rhythm saying solidity sort thing trying well jazz bess movesRelated quotes
Even the widespread resort to shifting cultivation with burning and light hoeing was not as childish as the first European colonialists supposed. That simple form of agriculture was based on a correct evaluation of the soil potential, which was not as great as initially appears from the heavy vegetation; and when the colonialists started upsetting the thin topsoil the result was disastrous. The above remarks show that when an outsider comes into a new ecological system, even if he is more skilled he does not necessarily function as effectively as those who have familiarized themselves with the environment over centuries; and the newcomer is likely to look more ridiculous if he is too arrogant to realize that he has something to learn from the "natives.”.
Walter Rodney
Pissarro wants to achieve delicacy by means of adjustments of nearly like tones; he keeps from juxtaposing two distant tones and does without the vibrant note which such contrast gives, but strives on the contrary to diminish the distance between two tints by introducing into each one of them intermediate elements which he calls 'passage'. But the neo-impressionist technique is based precisely on this type of contrast, for which he feels no need, and on the violent purity of tints which hurts his eye. He has kept of divisionism only the technique, the little dot, whose raison d'etre is exactly that it enables the transcription of this contrast and the conservation of this purity. So it is easy to understand why he [Pissarro] gave up this means, insufficient as it is by itself.
Paul Signac
We wanted to start a magazine, and Allison Wolfe and Molly Neuman from the band Bratmobile had started a little fanzine called Riot Grrrl and we were writing little things for it. I'd always wanted to start a big magazine with really cool, smart writing in it, and I wanted to see if the other punk girls in D. C. that I was meeting were interested in that. So I called a meeting and found a space for it, and it just turned into this sort of consciousness-raising thing. I realized really quickly that a magazine wasn't the way to go. People wanted to be having shows, and teaching each other how to play music, and writing fanzines, so that started happening. It got some press attention, and girls in other places would be like "I wanna do that. I wanna start one of those."
Kathleen Hanna
Traditionally, economic analysis treats the economic system as one of the givens. The term "design" in the title is meant to stress that the structure of the economic system is to be regarded as an unknown. An unknown in what problem? Typically that of finding a system that would be, in a sense to be specified, superior to the existing one. The idea of searching for a better system is at least as ancient as Plato's Republic, but it is only recently that tools have become available for a systematic, analytical approach to such search procedures. This new approach refuses to accept the institutional status quo of a particular time and place as the only legitimate object of interest and yet recognizes constraints that disqualify naive Utopias.
Leonid Hurwicz
It is one of the most beautiful characteristics of Theosophy that it gives back to people in a more rational form everything which was really useful and helpful to them in the religions which they have outgrown... in this teaching as to the immortality of the soul and the life after death, Theosophy...does not put forward these great truths merely on the authority of some sacred book of long ago; in speaking of these subjects it is not dealing with pious opinions, or metaphysical speculations, but with solid, definite facts, as real and as close to us as the air we breathe or the houses we live in - facts of which many among us have constant experience - facts among which lies the daily work of some of our students, as will presently be seen.
Charles Webster Leadbeater
