Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition. Ruskin said in his Elements of Drawing, "Give me some mud off a city crossing, some ochre out of a gravel-pit, a little whitening, and some coal dust, and I will paint you a luminous picture, if you give me time to gradate my mud, and subdue my dust."
Kenneth ClarkRelated topics
beautiful city coal colour crossing drawing dust fact felt fine modified mud ochre off paint picture precious relationship say subordinate time transition whitening elements ruskin coloursRelated quotes
At the Galerie Colette Allendy I exhibited some twenty monochrome surfaces, all in different colours: greens, reds, yellows, purples, blues, oranges.... and so found myself at the start of my career in this style... I was trying to show colour, but I realized at the private view that the public were prisoners of a preconceived point of view and that, confronted with all these surfaces of different colours, they responded far more to the inter-relationship of the different propositions, they reconstituted the elements of a decorative polychromy.
Yves Klein
Neo-Impressionist method is an attempt is made to achieve the richness of the sunlight spectrum with all its tones. An orange that blends with yellow and red, a violet that tends toward red and blue, a green between blue and yellow are, with white the sole elements. Through mixture (in the eye of the observer) of these pure colours, whose relationship can be varied at will, from the most brilliant to the greyish. Every brush stroke that is taken from the palette remains pure on the canvas.
Paul Signac
The heath and changes of weather were quite blotted out from their eyes for the present. They were enclosed in a sort of luminous mist, which hid from them surroundings of any inharmonious colour, and gave to all things the character of light. When it rained they were charmed, because they could remain indoors together all day with such a show of reason; when it was fine they were charmed, because they could sit together on the hills. They were like those double stars which revolve round and round each other, and from a distance appear to be one.
Thomas Hardy
I would love to paint a large landscape of Moscow - taking elements from everywhere and combining them into a single picture-weak and strong parts, mixing everything together in the same way as the world is mixed of different elements. It must be like an orchestra... Suddenly I felt that my old dream was closer to coming true. You know that I dreamed of painting a big picture expressing joy, the happiness of life and the universe. Suddenly I feel the harmony of colors and forms that come from this world of joy.
Wassily Kandinsky
It took me a long time to discover that particularities of form and natural colour evoke subjective states of feeling which obscure pure reality. The appearance of natural forms changes, but reality remains. To create pure reality plasticity, it is necessary to reduce natural forms to constant elements of form, and natural colour to primary colour. The aim is not to create other particular forms and colours, with all their limitations, but to work toward abolishing them in the interest of a larger unity.
Piet Mondrian
