It was just a bowl of peasant's clay, red brown in color, thickly made and rough to the touch, not perfectly round, with a small indentation on one side where the potter had damaged the unfired clay. It was worth pennies, perhaps nothing. Yet it was the greatest treasure of Christendom. And he kissed it once, and then he drew back his strong archer's right arm, ran down to the sucking sea's edge, and threw it as far and as hard as he could. He hurled it away and it span for an instant above the gray waves, seemed to fly a heartbeat longer as if it were reluctant to let go of mankind, and then the bowl was gone.
Bernard CornwellRelated topics
above arm bowl brown christendom clay color drew edge far fly gray hard indentation instant longer mankind nothing once perhaps potter ran red right rough round side small span sucking throw touch treasure worth yet heartbeatRelated quotes
As far as my exhibition concerned [opening was 8 May 1954, in Ghent].... there is however a recent and important painting hanging there 'Man met Boompje' [Man with tree, later titled 'The Gardener] - permettez-moi - with beautiful refracting matters and color: lemon-yellow spots and lacquerish black on white, (face) transparent pure light-blue with a very thin layer glacis over it (in the small wall) and strong-blue painted vertical line. Yellow brown and mauve brush-sweeps with small red dashes over it (for the small tree), and further a lot of beautiful white.
Roger Raveel
When I saw a policeman strolling toward me I walked away. It was a hot night. Sand from the Mojave had blown across the city. Tiny brown grains of sand clung to my fingertips whenever I touched anything, and when I got back to my room I found the mechanism of my new typewriter glutted with sand. It was in my ears and in my hair. When I took off my clothes it fell like powder to the floor. It was even between the sheets of my bed. Lying in the darkness, the red light from the St. Paul Hotel flashing on and off across my bed was bluish now, a ghastly color jumping into the room and out again.
John Fante
Behind her chair, from a wall covered in a very expensive velvet-flock paper, a portrait of her grandfather looked down. He had been an Episcopalian bishop, but the picture showed him in the costume of a New England gentleman keeping up the Old English custom of riding to hounds: red coat, brown boots, distinguished with a white dog-collar and black silk front.
Hugh referred to him as being dressed to kill.
The salad was replaced-though Hugh had sampled only a mouthful of his-by a dish of cold fish with mayonnaise. He didn't even touch this course. He was suddenly afraid of it because it had come from the sea.
John Brunner
Sth, I know that woman. She used to live with a flock of birds on Lenox Avenue. Know her husband, too. He fell for an eighteen-year-old girl with one of those deepdown, spooky loves that made him so sad and happy he shot her just to keep the feeling going. When the woman, her name is Violet, went to the funeral to see the girl and to cut her dead face they threw her to the floor and out of the church. She ran, then, through all that snow, and when she got back to her apartment she took the birds from their cages and set them out the windows to freeze or fly, including the parrot that said, "I love you."
Toni Morrison
The rooms were confining, the windows minuscule, the ceilings perilously low. She could not have spent much money on the furnishings, which were shabby, threadbare, nicked, and splintered-I had seen better furniture abandoned at Montreal curbsides.
But if her book-cases were humble, they were bowed under the weight of surprisingly many books-almost as many as there had been in the library of the Duncan and Crowley Estate back in Williams Ford. It seemed to me a treasure more estimable than any fine sofa or plush footstool, and worth all the rough economies surrounding it.
Robert Charles Wilson
