Rolling Stone: What was your headspace at the time of Superunknown? A lot of the lyrics are dark.
Cornell: I don't know if I would say I was in a particularly dark or moody headspace more than other times. I feel the lyrics have to be born from the music. Or if I had a lyrical idea, separate from Soundgarden music, I knew if it would work with the band because it tended to reflect what the music was and what the feeling of the music was – which was usually somewhat dark and somber or moody, or over-the-top, visceral, aggressive angry.
Rolling Stone: So it wasn't an especially dark time?
Cornell: No, not that I remember. No more than usual. I think that I always struggled with depression and isolation, so those could come out. I think that the mood of Seattle to me, and the way that I always interpreted that mood was something that was always a little bit introspective and dark. And I wouldn't say "depressing," but introspective in a way that could be moodier and darker. (Chris Cornell)

Rolling Stone: What was your headspace at the time of Superunknown? A lot of the lyrics are dark. Cornell: I don't know if I would say I was in a particularly dark or moody headspace more than other times. I feel the lyrics have to be born from the music. Or if I had a lyrical idea, separate from Soundgarden music, I knew if it would work with the band because it tended to reflect what the music was and what the feeling of the music was – which was usually somewhat dark and somber or moody, or over-the-top, visceral, aggressive angry. Rolling Stone: So it wasn't an especially dark time? Cornell: No, not that I remember. No more than usual. I think that I always struggled with depression and isolation, so those could come out. I think that the mood of Seattle to me, and the way that I always interpreted that mood was something that was always a little bit introspective and dark. And I wouldn't say "depressing," but introspective in a way that could be moodier and darker.

Chris Cornell

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