For the translator of poetry, there is no activity that brings you into a closer, more intimate contact with language, both the second language and your own language, which translation allows you to experience freshly. Of course, translation is the impossible art which is why it attracts often the best minds, at least those driven by difficulty. The best metaphor I know for translation is from my friend Eamon Grennan, who translated the poems of Leopardi. It's like walking in a clear mountain stream, looking at colorful stones in the water. You find one so gorgeous, you put it in your pocket, take it home and put it on a shelf. In the morning you are surprised that the stone looks so dull and without luster. You have the stone, but you have removed it from the water of its home language so it has lost its luster. (Billy Collins)

For the translator of poetry, there is no activity that brings you into a closer, more intimate contact with language, both the second language and your own language, which translation allows you to experience freshly. Of course, translation is the impossible art which is why it attracts often the best minds, at least those driven by difficulty. The best metaphor I know for translation is from my friend Eamon Grennan, who translated the poems of Leopardi. It's like walking in a clear mountain stream, looking at colorful stones in the water. You find one so gorgeous, you put it in your pocket, take it home and put it on a shelf. In the morning you are surprised that the stone looks so dull and without luster. You have the stone, but you have removed it from the water of its home language so it has lost its luster.

Billy Collins

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