This paucity of actors on the stage reflects the liturgical roots of Greek theater, which continued to stick close to its religious origins. ... [A] machine, called the mēchanē, was a sort of crane that swung an actor playing a god over the parapet of the skēnē and out above the stage (thus the Latin phrase deus ex machina for a solution from nowhere, an unforeseen answer to prayers). (Thomas Cahill)

This paucity of actors on the stage reflects the liturgical roots of Greek theater, which continued to stick close to its religious origins. ... [A] machine, called the mēchanē, was a sort of crane that swung an actor playing a god over the parapet of the skēnē and out above the stage (thus the Latin phrase deus ex machina for a solution from nowhere, an unforeseen answer to prayers).

Thomas Cahill

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