It was because of this guy I had gone out with and had been really, really close with. I really loved him. I felt that he was my best friend. But he was a teenaged guy, and they don't think a lot of times. He mistreated me and then he came back. I couldn't even be friends with him for awhile. I cared about him, but it was just a situation where he kept trying to be friends with me, but I knew that he just wanted to be friends with me so he could have the option of making a move on me whenever he wanted to. And because I was so infatuated with him, and even in love with him, I was always available for that. It made me feel weak every time I would fall for that. And I would look forward to him making a move on me, but I knew that it was wrong. I knew that he was playing with me. And after awhile, I didn't even care anymore because I wanted him so much.
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What do we mean by "understanding” something? We can imagine that this complicated array of moving things which constitutes "the world” is something like a great chess game being played by the gods, and we are observers of the game. We do not know what the rules of the game are; all we are allowed to do is to watch the playing. Of course, if we watch long enough, we may eventually catch on to a few of the rules. The rules of the game are what we mean by fundamental physics. Even if we knew every rule, however, we might not be able to understand why a particular move is made in the game, merely because it is too complicated and our minds are limited. If you play chess you must know that it is easy to learn all the rules, and yet it is often very hard to select the best move or to understand why a player moves as he does. So it is in nature, only much more so.
Richard Feynman
I'm actually kind of impressed by Iraq's patience right now... I mean, look at it objectively. They've opened their doors to un inspectors, they're being bombed by british and american troops, american forces are massing at their borders, american diplomats are actively looking to assinate [sic] Saddam Hussein, etc. It almost seems like Bush is doing everything he can to taunt Saddam Hussein. Not just if you step over this line I will hit you, but if you step over this line while I put rats on your back and put butter on the floor and make fun of your mom and move the line then I will hit you, in fact I'll hit you even if you just stand there and do nothing. It's painfully clear that iraq should not be allowed to have weapons of mass destruction. But it also seems painfully clear that the bush administration have no intention of finding a peaceful resolution to the situation in Iraq.
Moby
It must always be borne in mind that each and every individual is not only a producer but a consumer. In the final analysis of our conditions, we have to admit that it is not lack of consumption, but lack of production which is our present economic danger. The immigrant is needed, provided this fact is overcome, provided supply-whether in schools, in homes, or in shoes-does not fall behind demand. The public could today consume much more of the necessities of food, shelter and clothing than they are able to procure or have ever been able to procure in a country where the standard of living is so high. If, through cheap labor, and an increased willingness on the part of alien labor to live on the edge of existence, these standards are threatened, then is the time to bring legislative action to bear on the situation.
Calvin Coolidge
Critics of visual arts and of music describe in words - that is to say, a system of signs other than those made by brushes on canvas or chisels into stone or notes of music - those characteristics of painting or sculpture or music which can be described or analysed. Visual artists and composers can disregard critics on the ground that the medium of verbal criticism bears so indirect a relation to the medium in which they make something. Poets are in a different situation. With the development of so-called scientific methods of criticism they are made ever conscious that criticism of poetry is in the same medium of work as the art which they practise. "Close analysis” is useful to critics and readers. But for the poet there is the danger of disintegration of poetry into paraphrase, examination of technique, influences, all analysed in the language of criticism.
Stephen Spender
A Klee painting named ‘Angelus Novus' shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing in from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.
Walter Benjamin
