Her forte was not necessarily the audibility of her music, for she had a defective area where her voice cracked at a high-pitch, with a limited one-octave range, but she turned it into her virtue for she knew how to mould her voice. (Begum Akhtar)

Her forte was not necessarily the audibility of her music, for she had a defective area where her voice cracked at a high-pitch, with a limited one-octave range, but she turned it into her virtue for she knew how to mould her voice.

Begum Akhtar

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defective forte limited music virtue voice

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