Theorist, and trifler though I may be called, I again assert as our first and holiest duty, the elevation and enlightenment of the proletariate: I again call on those nobler spirits among us who are working erroneously, it may be, but with incipient or growing sincerity and nobleness of mind, to divert their strenuous effort from the promotion of narrow class interests, from silly squabbles about offices and salaried positions, from a philanthropy laudable in itself and worthy of rational pursuit, but meagre in the range of its benevolence and ineffectual towards promoting the nearest interests of the nation, into that vaster channel through which alone the healing waters may be conducted to the lips of their ailing and tortured country.
Sri AurobindoRelated topics
ailing assert benevolence call channel class country duty effort elevation enlightenment growing healing holy incipient meagre mind narrow nation nobleness philanthropy proletariate pursuit range rational salary silly sincerity theorist trifler working worthy promotion spirits lips interestsRelated quotes
Notwithstanding all the differences in the aims and tasks of the Russian revolution, compared with the French revolution of 1871, the Russian proletariat had to resort to the same method of struggle as that first used by the Paris Commune - civil war. Mindful of the lessons of the Commune, it knew that the proletariat should not ignore peaceful methods of struggle - they serve its ordinary, day-to-day interests, they are necessary in periods of preparation for revolution - but it must never forget that in certain conditions the class struggle assumes the form of armed conflict and civil war; there are times when the interests of the proletariat call for ruthless extermination of its enemies in open armed clashes.
Vladimir Lenin
It seemed too easy to claim that there was nothing new under the sun, that ... our spear-wielding ancestors had been as wise and good as ourselves and that the onward march of rational thought had brought with it nothing but tragedy. Did any of these arguments take into account Ariane's profile on her way up? Did they credit the impeccable logic of her hydraulic systems? And most of all, did not such bromides merely betray the resentment of a defeated and unimaginative class? I felt my allegiances shift to the engineers and technicians around me, these new medicine men who often sported baseball caps, and had a tendency towards unsophisticated humour. What astonishing creatures they were! What extraordinary horizons they had opened up!
Alain de Botton
Artists have never worked with the model – just with the painting. What you [G. R. Swenson, the interviewer] are really saying is that an artist like Cézanne transforms what we think the painting ought to look like into something he thinks it ought to look like. He's working with paint, not nature; he's making a painting, he's forming. I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art. What I do is form, whereas the comic strip is not formed in the sense I'm using the word; the comics have shapes but there has been no effort to make them intensely unified. The purpose is different, one intends to depict and I intend to unify.
Roy Lichtenstein
Certainly no nation ever before abandoned to the avarice and jugglings of private individuals to regulate according to their own interests, the quantum of circulating medium for the nation - to inflate, by deluges of paper, the nominal prices of property, and then to buy up that property at 1s. in the pound, having first withdrawn the floating medium which might endanger a competition in purchase. Yet this is what has been done, and will be done, unless stayed by the protecting hand of the legislature. The evil has been produced by the error of their sanction of this ruinous machinery of banks; and justice, wisdom, duty, all require that they should interpose and arrest it before the schemes of plunder and spoliation desolate the country.
Thomas Jefferson
What is seen and called the picture is what remains – an evidence. Even as one travels in painting towards a state of 'unfreedom' where only certain things can happen, unaccountably the unknown and free must appear. Usually I am on a work for a long stretch, until a moment arrives when the air of the arbitrary vanished and the paint falls into positions that feel destined. The very matter of painting – its pigment and space – is so resistant to the will, so disinclined to assert its plane and remain still. Painting seems like impossibility, with only a sign now and then of its own light. Which must be because of the narrow passage from a diagramming to that other state – corporeality. In this sense, to paint is a possessing rather than a picturing.
Phillip Guston
