[The Passion story] completely destroys the aesthetics of the separation of styles; it engenders a new elevated style, which does not scorn everyday life and which is ready to absorb the sensory realistic, even the ugly, the undignified, the physically base. Or-if anyone prefers to have it the other way around-a new sermo humilis is born, a low style, such as would properly only be applicable to comedy, but which now reaches out far beyond its original domain, and encroaches upon the deepest and the highest, the sublime and the eternal. (Erich Auerbach)

[The Passion story] completely destroys the aesthetics of the separation of styles; it engenders a new elevated style, which does not scorn everyday life and which is ready to absorb the sensory realistic, even the ugly, the undignified, the physically base. Or-if anyone prefers to have it the other way around-a new sermo humilis is born, a low style, such as would properly only be applicable to comedy, but which now reaches out far beyond its original domain, and encroaches upon the deepest and the highest, the sublime and the eternal.

Erich Auerbach

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aesthetics anyone base born beyond comedy domain elevated eternal everyday far life low now original passion ready scorn sensory separation story style sublime ugly way reaches

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