[It] would have been all the easier [if] the entire story of the scar had been presented as a recollection which awakens in Odysseus' mind at this particular moment. It would have been perfectly easy to do; the story of the scar had only to be inserted two verses earlier, at the first mention of the word scar, where the motifs "Odysseus” and "recollection” were already at hand. But any such subjectivistic‐perspectivistic procedure, creating a foreground and background, resulting in the present lying open to the depths of the past, is entirely foreign to the Homeric style; the Homeric style knows only a foreground, only a uniformly illuminated, uniformly objective present.