What are your fees?" inquired Guyal cautiously. "I respond to three questions," stated the augur. "For twenty terces I phrase the answer in clear and actionable language; for ten I use the language of cant, which occasionally admits of ambiguity; for five, I speak a parable which you must interpret as you will; and for one terce, I babble in an unknown tongue.
Jack VanceRelated topics
ambiguity answer augur babble cant clear five language parable phrase respond speak ten terce three tongue twenty unknown use guyal questionsRelated quotes
The very general occurrence of the homosexual in ancient Greece, and its wide occurrence today in some cultures in which such activity is not taboo suggests that the capacity of an individual to respond erotically to any sort of stimulus, whether it is provided by another person of the same or opposite sex, is basic in the species.
Alfred Kinsey
All the critics who could not make their reputations by discovering you are hoping to make them by predicting hopefully your approaching impotence, failure and general drying up of natural juices. Not a one will wish you luck or hope that you will keep on writing unless you have political affiliations in which case these will rally around and speak of you and Homer, Balzac, Zola and Link Steffens.
Ernest Hemingway
Matisse makes a drawing, then he makes a copy of it. He recopies it five times, ten times, always clarifying the line. He's convinced that the last, the most stripped down, is the best, the purest, the definitive one and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt.
Pablo Picasso
Sir, money, money, the most charming of all things money, which will say more in one moment than the most elegant lover can in years. Perhaps you will say a man is not young I answer he is rich. He is not genteel, handsome, witty, brave, good-humored, but he is rich, rich, rich, rich, rich that one word contradicts everything you can say against him.
Henry Fielding
Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language' themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way.
Howard S. Becker
