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Jon Landau quotes
Bob Dylan has always sealed his decisions with the unexplainable. His motives for withholding the release of the magnificent 'Basement Tapes' will be as forever obscure as Brian Wilson's reasons for the destruction of the tapes for 'Smile.'
Jon Landau
I saw rock n' roll future and its name is Bruce Springsteen.
Jon Landau
Elton John can be a master of the sleight of hand. The arrangements make it seem like there are substantial melodies underneath the tracks - but almost nothing demands repeated listenings. Similarly, he always sounds like he's singing up a storm, but his voice glosses over the material, reducing most things to an uninteresting sameness.
Jon Landau
On the surface, rock and roll changes at an amazing pace. The influence of a figure like the Maharishi can appear and disappear in a matter of months. Talk about old fashioned rock and roll finds itself dead before it begins.
Jon Landau
The Beatles production is often so 'perfect' that it sounds computerized. 'Sgt. Pepper' really does sound like it took four months to make.
Jon Landau
What makes the Stones' arrogance so divine is that we all believe that long ago and far away they weren't rich and famous but poor and struggling, just like us.
Jon Landau
Soul was the music made by and for black people. For most of the Sixties it was thoroughly divorced from white popular music, but by the end of the decade several artists with their roots firmly in both soul and R&B traditions had crossed over.
Jon Landau
Elton John himself never seems pretentious but Bernie Taupin's lyrics often do - sometimes pretentious in a clever sort of way, but pretentious nonetheless. There is a conflict between Elton's and Bernie's personal styles, no doubt about it.
Jon Landau
There were many stars in Motown's firmament - among them, Stevie, Marvin Gaye, Smokey Robinson, Martha Reeves and Diana Ross - but I happen to have loved the Four Tops most of all.
Jon Landau
Barry White seemed so filled with self-parody at first that it was easy to dismiss him. But it is becoming increasingly obvious with every additional release that he is a very talented man.
Jon Landau
Often, equipment can as easily function as a security blanket for musicians unwilling or unable to risk anything personal in the studio. Whether one catches the feeling on a record is a subjective matter. How can you be sure? The machinery can hold out the promise of at least mechanical perfection.
Jon Landau
When the Beatles cut old rock n' roll, they were recording music still in their performing repertoire, and besides, they never thought of the music as old.
Jon Landau
Carole King's second album, 'Tapestry,' has fulfilled the promise of her first and confirmed the fact that she is one of the most creative figures in all of pop music. It is an album of surpassing personal-intimacy and musical accomplishment and a work infused with a sense of artistic purpose. It is also easy to listen to and easy to enjoy.
Jon Landau
Since her landmark 'Tapestry,' Carole King has both oversimplified and over elaborated that masterful album's style until her music has become something more overtly but less effectively personal.
Jon Landau
The Who, England's most self-conscious band, have released 'Quadrophenia,' which in turn freezes in time our image of the mid-Sixties Mod sensibility.
Jon Landau
'Sing It Again Rod' touches all the solo bases since Stewart's departure from the Jeff Beck Band, wherein he cut his teeth on American audiences for $75 a week plus expenses, and wisely ignores his generally inferior work with the Faces.
Jon Landau
As long as Elton John can bring forth one performance per album on the order of 'Someone Saved My Life Tonight,' the chance remains that he will become something more than the great entertainer he already is and go on to make a lasting contribution to rock.
Jon Landau
'Call Me' is not an exceptional Al Green album, but it is as solid as a rock at its center.
Jon Landau
While the Beatles always had George Martin around to clean up their act, the Rolling Stones had Andrew Loog Oldham to coarsen theirs.
Jon Landau
The early Bob Dylan was compulsively drawn to the conflict between stability and the search for immortality.
Jon Landau
The early Stones were adolescent rockers. They were self-conscious in an obvious and unpretentious way. And they were committed to a musical style that needed no justification because it came so naturally to them. As they grew musically the mere repetition of old rock and blues tunes became increasingly less satisfying.
Jon Landau
The Faces do not, as some have recently alleged, play badly. They are more than competent, especially at creating a mid-Sixties Rolling Stones-styled groove, as their excellent version of 'Memphis' proves.
Jon Landau
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